National Theatre at Home 4+

I’m always intrigued and interested to see how a show is presented. This was quite delightful. The small cast was terrific and I loved the bear and the naughty rabbit. The set (or Not Set), the stage space, was used so well with simple props and techniques. It really encourages the audience to be actively involved in the performance. Loved the kids comments. Sometimes the filming made the set look a bit dark or shadowy but only a small issue. I would have loved to be there with my younger grandkids..

Best streaming app ever. Was a lifesaver when theatres were closed during COVID-19. Thanks for bringing me the best actors on stage in the world into my house.

I am a big fan of plays and love your app so much. I’ve been a subscriber since you started.

Unfortunately, you have a big problem with Vimeo- your customer technical support service.
Your customer help is totally incompetent, you should investigate this by doing some empirical research amongst subscribers who have used the Help - Contact Us facility and ask them to comment on Vimeo: the service provider you use. I think you need a new customer service provider.

Even thinking about their uselessness, ignoring what the problem is, not solving anything and just giving you the runaround with computer generated material that in no way relates to your personal problem makes me angry and immensely frustrated but I will keep hassling them until a human being is available to solve my playback problem that occurs with one and only one full play - Julius Caesar. It is clearly a fault on your app and needs to be fixed by you. But after 5 days and 4 emails no one has taken any notice of what the problem is.

This is simply not good enough. A standard computer generated response not tailored to the individual problem is not what I expect when I ask for help.
.

Dale Tyler
Australia

I am continually awestruck and inspired by the dazzling productions I am able to access from the other side of the world (Melbourne, Australia). Every production I have seen reminds me of the chasm between the status of theatre in the UK and in Australia. We have brilliant theatre here too (our recent productions of The Picture of Dorian Gray, Amadeus and Prima Facie were profound) but it is less accessible both financially and regionally, and it enjoys less investment and patronage. I am incredibly grateful to be able to share such excellent theatrical experiences with my theatrephile daughter and, occasionally, other friends and family. Angels in America, This is England, the British adaptation of Prima Facie, La Bella Savage, Mosquitoes, War Horse, Jane Eyre, Hedda Gabbler and so many other generously shared productions have made my investment not just worthwhile, but priceless!