Blues Guitar Jam Tracks 4+

FEATURES:

15 seperate professionally recorded blues jam tracks in a variety of blues styles.

Each track can be adjusted to play in all 12 keys.

Tempo of each track can be adjusted allowing a wide range of speeds.

For each track there are scales diagrams for the pentatonic scales and arpeggios needed to jam along with the track.

No ads or in app purchasing!

Improvise with backings and improve your solos. Suitable for all guitarists.

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TRACK BY TRACK BREAKDOWN:

Track 1: Driving Blues. 71bpm, swing rhythm. A classic blues shuffle riff with bass, guitar and drums.

Track 2: ZZ Blues 140 swing. This backing track is similar to the king of thing Billy Gibbons of ZZ Top may play.

Track 3: Texas Shuffle. 125bpm swing. A raunchy Texas blues shuffle in the style of Stevie Ray Vaughan. Sounds great with classic minor pentatonic blues licks.

Track 4: Rocky Blues. 170bpm straight. Fast rock n roll guitar riffs with hammond organ, bass and drums. Classic Chuck Berry licks sound great here.

Track 5: Uptempo Blues. 168bpm swing. This uptempo jam sounds great mixed with some BB King licks.

Track 6: Slow Blues. 57bpm swing. This moody jam track combines B3 organ with guitar, bass and drums.

Track 7: Rock Riff Blues 120 straight. An agressive rocky blues track.

Track 8: Leslie Blues. 38bpm swing. Jazzy chords played by guitar through a leslie speaker cabinet. A really slow track, great for soulful blues playing.

Track 9: Bo Dee Blues. 110bpm straight. The classic Bo Diddly riff!

Track 10: Organ Blues. 68bpm swing. Classic Hammond organ blues.

Track 11: Blues Stomp. 130bpm straight. Driving blues riffs.

Track 12: Slow Rock Blues. 68bpm straight. Bluesy rock riffs.

Track 13: Jazzy Blues. 100bpm swing. Old school jazzy blues.

Track 14: Fast Change Texas. 125bpm swing. ore Texas blues, this times with a quick change in bar 2.

Track 15: CDAC Riff Blues. 170bpm straight. Aussie riffin' blues!

These tracks can a great way for beginners to start with blues guitar improvising. More advanced players can use the scales and arpeggios for following the chords when playing solos that hit chord tones.