Screenshots

Beschreibung

Already have a great set of IOS Synth apps but want to get some unique sounds & rhythms from them?

MidiSequencer is a step sequencer designed to let you play with melodic tunes on the fly to create exotic sounds from your favourite IOS and hardware synths.

** Reworked as Universal device (iPhone 4s,5,6,6+ and all iPads) **

Comprehensive manual available for view http://www.amssoftware.org/manual/midiSequencerManual.pdf

With step sequencing, up to 16 midi notes can be defined and played back interactively using buttons, sliders and swipes. It therefore lends itself to more experimental style of music making as steps can have all manner of variations - pitch, velocity, length, midi channel, swing, % probability(note or velocity) and musical ornaments such as ratchetting and mordents.

With the addition of chords, each step can also send out up to 128 note chords. You can create your own chords by using a on-screen keyboard or pick common ones such as the dim7.

Midi FX are now included included echo, filters, layering and note rotation....

MidiSequencer also offers extreme tempos (from 1 to 1020BPM) and a variety of Master/Slave combinations utilising midi clocks.


SPECIAL NOTES :
1) iOS 8 or greater only so iPad 1 not suported
2) Iphone 4 upwards only
3) This app makes no sound (although it can send/receive midi to coreMidi apps you have installed on your iPad).
4) To communicate with external midi equipment you will need a suitable iPad midi interface unless you use the Midi Network sessions over wifi.
5) 64 bit compliant

Neuheiten

Version 1.14

Fixed IPad Pro 12.9 FX buttons not working
Fixed 14bit NRPN & RPN not sending 2nd byte if 0 value
Made both IAP (FX & Chords) free

Bewertungen und Rezensionen

4.0 von 5
8 Bewertungen

8 Bewertungen

David Wilson-Okamura ,

Inspiring and well thought out

This app gets better and better. Its design is shaped by real musical experience, and it's quickly evolving into one of the best sequencers on the iOS platform. It's far more powerful and easier to use than the hardware sequencers used by Tangerine Dream in the 1970s and 80s. Compared with modern, software-based sequencers, it's slightly less powerful than Thesys, but also MUCH easier to get started and play with. As it says in the description, it doesn't make any sound by itself, but it will breathe new life into the instruments you already have, both hardware and on your iPad.

About the in-app purchases (IAPs): the developer, Anthony Saunders, is NOT trying to nickel and dime his customers. If you're interested in the extra functions, they are worth more than what he's charging. But the basic app is robust, functional, and inspiring.

About the four stars: I'm pleased with this app -- that's why I'm taking the time to write a review -- but if you give everything five stars, you have nothing left for the very best. (I see the same problem after musical and theatrical performances, when everything gets a standing ovation.)

Oneoff7 ,

Awesome for my setup

I have few mono synths and a puc+ (Bluetooth midi device)
And this sequencer is so much fun! I set the velocity to open the cutoff on my nyborg12 synth and it’s an instant Depeche Mode...
For $2.99 it’s great.

AudioGman ,

App not showing in Audiobus

This app is not showing in Audiobus or AUM. Not sure how it can be used.

App-Datenschutz

Der Entwickler (anthony saunders) hat Apple keine Details über seine Datenschutzpraktiken und seinen Umgang mit Daten zur Verfügung gestellt.

Keine Details angegeben

Der Entwickler muss bei der Übermittlung seiner nächsten App-Aktualisierung Angaben zum Datenschutz machen.

Informationen

Verkäufer
anthony saunders
Größe
31.7 MB
Kategorie
Musik
Kompatibilität

Erfordert iOS 8.0 oder neuer. Kompatibel mit iPhone, iPad und iPod touch.

Sprachen

Englisch, Vereinf. Chinesisch

Alter
4+
Copyright
Preis
2,99 $
In‑App‑Käufe
  1. Step chords and added notes
  2. midi effects

Support

  • Familienfreigabe

    Wenn die Familienfreigabe aktiviert ist, können bis zu sechs Familienmitglieder diese App verwenden.

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