New • LUTs on every export: load a .cube file as a Camera LUT or a Creative look. • Burn-ins: clip name, custom text, timecode and frame number, each in its own corner. • Source timecode from EXR files, movie timecode tracks and BRAW clips. • Output presets: save your settings and apply them to any item. • Preview tile: the real first frame with the LUT and burn-ins applied. • Agent CLI flags for LUTs, burn-ins and presets. Improved • Output Settings are grouped into tiles, and colour spaces are searchable and explained in plain words. • HDR video stays HDR when only a look or burn-ins are added. Fixed • MKV H.264 and HEVC frame order, AAC audio sync and seeking. • MXF streaming and swapped picture sizes. • Transparent pixels and zero-alpha glows convert correctly. • Exported files carry measured colour tags; outputs a format cannot describe are written untagged with a warning. • BRAW scene-linear exports keep the output colour space you chose. • EXR sequences keep their timecode, frame rate and overscan.

Sequency 1.4 brings new formats and more faithful colour. • Export WebM video (VP9 with Opus audio) and Animated WebP. • Save image sequences as WebP, and as HEIC or AVIF on Macs that support them. • Import DPX image sequences, JPEG XL images and animated GIFs. • WebM and MKV files with AV1 video now open, and transparent WebM videos keep their transparency. • Simple colour conversions such as sRGB to Display P3 work again, and SDR to HDR (PQ or HLG) keeps white at normal brightness. • Semi-transparent edges in PNG and Targa exports keep their true colour. • Image sequences are saved with exactly the bit depth and channels you choose. • EXR exports keep their pixels and colour information untouched, split EXR layers keep their original channels, and multilayer EXRs from Blender read correctly. • MKV and WebM files no longer crash the app on Intel Macs. • An export never replaces an existing file unless it finishes, and a missing frame stops the export with a clear message. • Every imported item gets its own size and colour, even the ones you don't click, so queued exports come out at the right size. • Picking one image from a folder you've already imported keeps that folder's other items. • Sequency remembers the folders you've given it access to, so it asks less often. • MXF clips with audio export to MP4 without stalling.

Sequency 1.3 makes everyday conversions more dependable. • BRAW exports with audio now finish reliably. • MKV-to-image exports follow the frame rate and duration you choose, including short durations such as 0.25 seconds. • Numbered files such as 0001.exr are easier to import as a sequence. • Exports stop with a clear error if a requested colour change cannot be applied, instead of saving a file with the wrong colour label. • Output settings are easier to open and edit, and Agent Tools users can see when an update is available.

Sequency 1.2 brings more dependable conversions, improved image-sequence support, and a clearer workspace. • Improved MKV, MXF, BRAW and ARRI exports, including selected ranges, frame timing and audio alignment. • Added TGA and TARGA image-sequence support, with improved 16-bit TIFF output and transparency preservation. • Improved conversion performance and memory use during longer exports. • Unreadable frames now stop exports safely, and incomplete output files are cleaned up after failures. • Refined Output Settings, export controls, console tools, Light and Dark appearances, and VoiceOver support. • Updated Sequency Agent Tools support for Antigravity.

Sequency 1.1 is the professional-media update: camera RAW support, broader MXF/MKV handling, stronger ACES color paths, and a signed Agent Tools CLI workflow. New camera and finishing workflows - Added Blackmagic RAW import/export with audio handling and scene-linear OpenEXR output for ACES workflows. - Added ARRI MXF and ARRIRAW support, including ALEXA 35, ALEXA 35 Extreme, ARRICORE, ARRIRAW HDE MXF, and .ari/.arx frame folders. - Expanded MXF handling for professional broadcast and post sources including FFV1, DNxHD/VC-3, AVC-Intra, IMX, DV50, and related audio workflows. - Added MKV/VP9 support for modern review and delivery paths. Better color, cleaner pixels - Camera log and ACES workflows now route through the appropriate ColorSync or OpenColorIO path. - ARRI review exports use safer Rec.709/D65 handling, and camera RAW EXR exports preserve high-precision scene-linear data. - P3 and DCI-P3 video exports now use safer color tags to avoid writer setup failures. Faster, steadier batch work - Queue exports now match direct export behavior more closely and preserve per-item settings for mixed ARRI, BRAW, MXF, and EXR jobs. - Added clearer frame-range, duration, source/output summary, progress, permission, and recovery behavior. - Added a Clear action for imported files and improved retry, overwrite, play, reveal, pause, and resume controls. Agent Tools - Added an Install Agent CLI action that issues a short-lived code for the signed Sequency Agent Tools package. - The package installs /usr/local/bin/sequency-cli for JSON inspect, dry-run, convert, batch, and verification workflows. Polish and reliability - Refreshed the app icon and tightened many UI details. - Fixed BRAW import crashes, ARRI no-look imports, HDE decode artifacts, DCI-P3 export crashes, short MXF duration exports, MKV error messages, and audio preservation edge cases.