The Library: a folder of sounds, measured, in time and in key. • Open any folder as a list of its sounds, with nothing to import: play them, and open any one in the editor. • Let your own AI agent use SoundEdit: it reads what SoundEdit measures, and SoundEdit does the hearing, the editing and the History. New: SoundEdit Pro, with a 14-day trial of its own. • Every sound measured as it's listed: what it is, its tempo, note, key and loudness. Filter by any of them, by what you describe in plain words, or by what sounds like a sound you drop on the window. • Loops heard at your sequencer's or DAW's tempo, from its MIDI clock, or at one you type, and in one key. Drag one out and it arrives at that tempo and in that key. • Correct a sound's class and SoundEdit learns it. Write Into Files puts a tempo, a root note or a loop into the file itself, where a sampler or any app that reads it finds it. • A long session of hits split into named takes. Kits for an OP-XY, OP-1 or EP, or an SFZ, Decent Sampler, SoundFont, MPC or Ableton player. Any sound fitted to a device. • Recipes across folders: stage one, hear each result before anything is written, then run it. Every result is a new file, and your originals stay as they were. • Groups of sounds from any folders, in your own order; Smart Groups that keep a filter; Mix and Append to make many files one.

Audio Units, on the sound. • Eight slots for any Audio Unit effect, live as you play: the keys, the pads and the transport all sound through the chain. • The chain belongs to the file: close it, come back next month, and the plug-ins come back with their settings, in the file's own history. • Print it when you mean it: Apply Slots writes the chain into the selection as one undoable step, and Bake and the instrument kits carry it too. • Each plug-in in its own window, as many open as you like; the chain on the panel under the knobs, a lamp per slot and one switch to A/B the lot. • A plug-in that is not on this Mac is kept, named and passed over, never lost.

Audio Units, on the file. • Eight slots for any Audio Unit effect, live as you play: the keys, the pads and the transport all sound through the chain. • The chain belongs to the file: close it, come back next month, and the plug-ins come back with their settings, in the file's own history. • Print it when you mean it: Apply Slots writes the chain into the selection as one undoable step, and Bake and the instrument kits carry it too. • Each plug-in in its own window, as many open as you like; the chain on the panel under the knobs, a lamp per slot and one switch to A/B the lot. • A plug-in that is not on this Mac is kept, named and passed over, never lost.

SoundEdit is here: an audio editor you can play. • Play it like an instrument: slices on your keys and pads, from any MIDI controller, an OP-1, OP-XY or any EP. • Record anything your Mac plays: what's playing, one app, or any input, safe from its first second. • Layer sounds without committing: drop a sound onto a sound and it plays live over the untouched original, ready to move, fade or mute. • It never forgets: close the file, come back next month, and ⌘Z still walks back through every edit. • A whole folder to spec in one pass: convert, resample, normalize under a true-peak ceiling, trim silence, name by template. • Stretch and pitch-shift with formants intact, a statistics page for every file, and every command on a key or a knob. Fourteen days with everything included. One-time purchase. No subscription.