Fixed an issue where closing a Studio session during a clip change could leave the viewer open after saving or discarding changes. New guided color exercises: explore neutral, warm and cool looks in Three Looks, One Story. Follow the steps with a sample clip or your own footage, keep track of your practice, and return to your editing workspace without losing your session. Fixed “Don’t Save” when closing a project with unsaved changes.

A more flexible color studio for iPhone Duo. The workspace adapts as you unfold the device, with improved landscape controls, clearer clip information and a more comfortable welcome experience. This update also improves access to Pro and purchase restoration, with fixes for RAW controls and session continuity.

Full Pro trial messaging clarified. Easier access to included sample clips. Fixed background export callback isolation and improved RAW numeric input. Studio projects, offline-media relinking, timecode and MOV delivery improvements. Clearer anamorphic metadata guidance.

Improved FCPXML compatibility with DaVinci Resolve: mixed frame rates keep the original playback speed without unnecessary compound clips. Clearer export guidance and updated URSA Mini Pro 4.6K camera information.

New optional usage metrics and crash diagnostics, with separate controls in Settings. Both are off until you choose to enable them. New high-quality HEVC export for individual clips and complete timelines: 10-bit 4:2:2, or 4:2:0 for wider playback compatibility. 4K bitrate targets reach 200 Mbps at 50 fps and 250 Mbps at 60 fps. Includes storage guidance before export. This delivery is Rec.709 SDR; original BRAW trims and sidecars remain available. Also includes the startup responsiveness improvements from 3.0.6. Improved Pro activation after approval of a pending purchase and access updates after refunds. Reliability improvements for BRAW file selection, high-resolution decoding and recovery when original media is missing or changed. Add clips while a single clip is open, preserving its unsaved adjustments. Still capture now uses an icon with a temporary save confirmation and improved responsiveness. More space between Close and Full Screen. Fixed presentation of the tracking permission after onboarding. Your choice does not limit editing features. Improved sidecar saving and confirmation. Restore access to the clip folder without losing your adjustments.

Improved startup responsiveness: BlackRAW Studio now prepares its Metal color-rendering pipelines in the background, so the interface stays responsive while launching. Includes stability improvements for opening and grading your footage.

Clearer Pro plan selection and trial terms, improved purchase and restoration feedback, and more reliable handling of pending approvals and subscription access.

Improved diagnostic reporting and maintenance refinements for BlackRAW Studio.

This update makes opening clips and folders more reliable, adds a shortcut to reopen authorized locations, and improves crash diagnostics so we can fix issues faster.

This update refreshes BlackRAW Studio’s App Store presentation. Its color, timeline, and RAW tools remain available.

New in 3.0.1: Five secondary color curves let you refine hue, saturation and luminance independently. The LUT browser now includes 16 clearly labelled, ACES-based technical Log-to-Rec.709 conversions for common camera profiles. These are technical conversions, not manufacturer-supplied LUT files. You can still import your own .cube LUTs.

BlackRAW Studio 3.0 expands the workflow to supported everyday video, alongside Blackmagic RAW and Apple ProRes RAW. • Color correction for individual clips and the timeline. • Select shots in the timeline and refine them with a larger trim bar. • Deliver separate clips or one sequence, with progress, cancellation and a completion summary. • Import and export .cube LUTs for static color adjustments. • Trim original BRAW files without re-encoding and save them to Files. Export requires Pro. Options depend on media, device and mode. Original RAW trimming is BRAW-only; rendered Studio deliveries are SDR.

What’s new in 2.1: • ProRes RAW development: white balance, tint, ISO, exposure and highlight recovery on the RAW data, with Rec.709 or Apple Log output. • ColorSlice: adjust hue, saturation and density of reds, yellows, greens, cyans, blues, magentas and skin tones separately. • New curves: free points on Y, R, G and B with a loupe, snapping and undo. • Videos from your Photos library: open them without importing; the temporary copy is deleted when you close the clip. • Redesigned launch screen and welcome tour. • The viewer now recovers on its own when you come back to an open ProRes RAW clip. DaVinci Resolve and Blackmagic RAW are trademarks of Blackmagic Design Pty. Ltd.

What’s new in 2.0: • Smoother playback: the engine decodes several frames at once. • Camera data for every frame: aperture, focal length, ISO, shutter and ND, plus a gyroscope horizon level and an off-speed alert. • Scopes in the viewer: waveform, RGB parade and vectorscope. HDR view on supported displays. • Slate and geometry in the sidecar: scene, take, good take, desqueeze, rotation and flip, ready for DaVinci Resolve. • Camera LUT: extract it, or save your LUT to the clip’s sidecar. • 10-bit export: HEVC Main 10 and ProRes with source timecode, HDR tags and dailies burn-ins. • Full-resolution frames as 16-bit PNG or TIFF and 10-bit HEIF. • Proxies with timecode that DaVinci Resolve links automatically. • Browser with badges and filters for good takes, off-speed and gyroscope clips. • Refreshed design with Liquid Glass and a new Info tab. DaVinci Resolve and Blackmagic RAW are trademarks of Blackmagic Design Pty. Ltd.

New welcome tour with real frames developed with the Blackmagic RAW SDK. • Generation 6 Color Science: switching generation moves gamma and gamut to values the clip supports. • Custom gamma like DaVinci Resolve: contrast, saturation and levels now work without image jumps. • Export with the viewer's grade and LUT. • Richer camera info, plus source timecode in the viewer and in EDLs. • BRAW trims keep white balance, ISO and exposure. • Import Blackmagic LUTs that use LUT_3D_INPUT_RANGE. • Reliable viewer at every resolution and tighter audio sync. • Cancelling an export no longer deletes the previous one. • Clear introductory offer terms, Korean localization and accessibility improvements.

Updated to Blackmagic RAW SDK 6. Support for Generation 6 color science and lens shading, distortion and chromatic aberration correction on compatible clips. Improved compatibility with saved RAW settings.

• Folder thumbnails are back: cards, grid, mini grid and list views with per-clip metadata. • Filmstrip preview in the playback bar. • Sidecars now store white balance, tint, exposure and ISO, ready for DaVinci Resolve. • Exports with 4-channel audio (Video Assist, URSA) and multichannel audio playback. • Universal player: non-RAW video and ProRes RAW with the same controls. • Language picker with all 8 included languages, accessibility and stability fixes. • Gamma, color space, decode quality and ISO selectors now respond instantly.

Subscription reliability fixes. • If your payment method fails, the App Store can now show you the prompt to fix it from inside the app. Previously that prompt never appeared and subscriptions could lapse silently. • Managing your subscription now opens Apple's native sheet inside the app instead of sending you to Safari.

Small update: BlackRAW Visor can now ask for a review after you finish an export or save a grade, so it is easier to share feedback if the app is useful on set.

Now a universal on-set player. • Plays any non-RAW video — H.264, HEVC, ProRes, MP4, MOV, MXF — with the full transport, scrubbing, filmstrip, markers and export you already use for BRAW. • Apple ProRes RAW and Blackmagic RAW keep their complete Camera RAW controls. • The RAW tab now hides itself on clips that have no RAW parameters, instead of showing an empty panel. • Folder browsing handles mixed BRAW and video folders, with fast thumbnails for every format. • Clip cards no longer show camera values that a non-RAW file cannot have. Also fixed: a rare crash when scrubbing the trim filmstrip while a clip was still loading, an invalid FCPXML export when a clip reported an unreadable frame rate, and untranslated labels in German, French, Italian, Japanese, Portuguese and Simplified Chinese. • Sidecar files for DaVinci Resolve are now written by the Blackmagic RAW SDK itself, so Resolve reads the saved RAW settings.

Maintenance update with purchase and restore flow reliability improvements, clearer Pro funnel tracking, and stability fixes for professional BRAW and ProRes RAW workflows.

Improved DaVinci Resolve compatibility: • Proxies now share the original .braw filename so DR auto-links them. • HEVC proxies use the Main 10 profile (10-bit container). • Sidecar grades apply correctly in DR (canonical tone-curve fields). • Markers are included in the FCPXML export. • Cancel actually stops batch exports and proxy generation. Also: SSDs that opened empty on the first scan now retry automatically once the volume is mounted, and the browser recognises ProRes / ProRes RAW clips alongside .braw.

Fixes proxy batch generation, completion popups, Files thumbnails, SSD reconnect hints, result-folder actions, audio playback with viewer mute, scrub-to-pause behavior, online-only recents, and audio-only M4A export.

Fixes proxy batch generation, completion popups, Files thumbnails, SSD reconnect hints, result-folder actions, audio playback with viewer mute, scrub-to-pause behavior, online-only recents, and audio-only M4A export.

Fixes proxy batch generation, completion popups, Files thumbnails, SSD reconnect hints, result-folder actions, audio playback, and audio-only M4A export.