Exports keep their film grain at any size.

Fixed the film picker freezing on large RAW files.

Uses less memory when you've been editing for a while.

• Fixed white balance on RAW photos. Temperature and tint were reversed. • Truer skin tones on the Portra stocks and 400H. • Cleaner greens on Ektar and 400H.

• A new film look inspired by Harman Phoenix, with the red halation and rough contrast of that first roll • Cleaned up the scanner picker and a few HUD bits

Kodachrome 64. Those reds. Press ⌘K to jump to any tool or film stock. Just start typing. The film picker shows your own frame now. One tile per stock, pick by eye. Hold anywhere on the photo to peek at the original. Quick before/after. Cleaner tone curves. The Curves panel starts flat now, with each film's own curve underneath. Fine-tune on top.

Every stock's tone is out in the open now — pick a film and its tone curve lands in the Tone panel. Grab it, bend it: lift the shadows, hold the highlights, shape each look the way you want instead of it being baked in. There's also an Amount slider now — ease any film back from full to barely there. It pulls the whole stock, grain and halation included, not just the color.