The AI Adventure page was drawn in one shade of purple. The page, the passage and the three choices all sat within a few percent of the same colour, so nothing on screen had rank and nothing said who was speaking. Each passage now sits on its own plate with a gilt spine down its leading edge, and your own move is the one purple object in the transcript — the storyteller's voice and yours finally read as two voices. Listen is a proper button beneath the passage instead of a line of small gold text tucked inside it. And the choice the original author actually wrote is labelled "From the book"; before, it carried a bookmark icon and nothing that said what the icon meant. Light mode was worse than it looked. The brand gold that reads beautifully on the night theme is nearly invisible on parchment, and it was being used as ink — chapter headings, the Listen control, section titles in Settings and Profile, library headers, the reading controls. On the light theme those were sitting under 2:1 against the page behind them. They are legible now, across Adventure, the Library, the Reader, Settings and Profile. While a chapter is read aloud, the spoken word is the most readable word on the page rather than the least, and the page no longer shifts sideways as the narration moves from paragraph to paragraph. Story passages can be selected and copied. VoiceOver reads them as prose instead of announcing "button". The reader's playback controls, the Listen button and the composer's send button all have full-size tap targets, and the page-curl page turn honours Reduce Motion. The King in Yellow is divided into its ten stories instead of twenty-four fragments.

Ten of the eighty bundled classics did not begin or end where they should. The Call of the Wild opened on the publisher's front matter — a licence, a release date, a credits line, a table of contents — before the story. It now opens where Jack London did: "Buck did not read the newspapers." Frankenstein, Treasure Island, The War of the Worlds, The Wind in the Willows, Around the World in Eighty Days, Journey to the Centre of the Earth and The Iliad each opened on a title page and a table of contents. They now open on their first line. The Secret Garden ran past its own last line into a list of printer's corrections. It now closes on Master Colin crossing the lawn, and stops there. The King in Yellow had twenty-four chapters for its ten stories, several of them named after stray lines of prose. It now has one chapter per story. Also: the moon over the narrator picker no longer sits on the words it was decorating, and the App Store artwork is new throughout.