• Optional account: link your verified purchase and use the licence on iPad, Windows and Mac. Designs stay on your device. • Multicolour line import and Redwork. Smoothing follows the centre of each stroke; remove image noise before importing. • Font favourites and stitch mode per font: centreline or outline satin, fill or Automatic. • Patch outlines with a preview around the design, arrangements around a pivot and a width control for freehand satin. • Light appearance, revised side panels and number fields. The image-import colour list uses the available space; parameter-matrix values are readable again.

Five free exports On iPad, each Apple account gets five free machine exports once, shared across its iPads. Each export counts once, including multiple hoops and companion files. Exporting again counts again. Internet access and iPadOS 16.3 or later are required. The remaining allowance appears to the left of the hoop selector. Tap it to open the personal and commercial licence offers. After the fifth export it reads “Buy a licence”; after purchase or restoration the indicator disappears. An active personal licence gives you a commercial upgrade option in Settings for the additional price. SVG, DXF, films and pictures still require a licence. “All formats” remains exclusive to the commercial licence. Film The new Film pane plays the stitch sequence as thread or lines on a colour, fabric or photo background. For appliqué, playback pauses briefly for placing and trimming the fabric. Background and thread use the same colour picker. Save 20, 45 or 90 seconds as MP4 or the current slider position as PNG to Files or Photos. Playback is free; saving requires a licence. Fill and underlay “Thin under a later colour” leaves out covered areas beneath later fills and appliqué. An overlap remains at their edges; later satin objects are excluded. Curve edits update thinning. New fills default to Zigzag underlay. Crowded needle points are smoothed in narrow areas. Underlay keeps half a thread width of clearance from the contour. Unnecessary return trips through narrow branches are avoided; hidden return paths are offset where space allows. Connections between fill rows can be shortened inside the same area. In a gradient, the first colour's underlay again covers both colours. Fill and normal satin allow stitch spacing down to 0.15 mm. Automatic spacing by width also stops at 0.15 mm. Values below 0.2 mm appear yellow with an explanatory information icon. 3D satin is unchanged. Drawing, lettering and objects “Connect nodes” joins two selected endpoints of open lines, in the node tool or under Edit. Closing a freehand satin line keeps it as satin with Automatic satin style. Settings now include the Round automatically default for satin ends, also used while drawing freehand. Text is inserted as satin. Smoothing, bars and serifs have been corrected. The text dialog offers font samples and search. Lock stitch length controls securing stitches. Duplicates appear directly after the original and stay in its group. Undocked sidebar panels can be resized in width and height. Calculation and files Large stitch plans, counts and dimensions are calculated in the background. Tab changes and simulation reuse existing results. Visible stitches stay until the new result is ready. Opening large projects no longer blocks the canvas with synchronous stitch calculations. The optional Pause control is in the Objects tab. Preview and Check show the same density from the finished stitch plan, including thinning and tie stitches. Hidden objects are excluded. Four, six and eight times the reference density appear as orange, red and dark red. An export dialog explains where to find the files and can be disabled. Names retain case and spaces. PES start positioning has been corrected; accessible .inf files accompanying EXP and DST supply thread colours and names. Manual / Help includes a Support page. Existing .beh projects can still be opened.