The show is a timeline now. Every chip adds an instance of its effect to the list below — rain, heat, a colour screen, a vibration, the torch, a system sound, your own media — and instances start, stop, reorder and duplicate (Cmd-D) like any clip. The same effect can appear as many times as the evening needs. Each instance carries its own settings: the same clip can play flat in act one and wrap the audience as a 360-degree sphere in act two; two colour-screen instances hold two colours, picked right on the row. The text field is a script pad: paste the evening's lines and walk through them — Shift-Return sends a line and steps down, Cmd-Return steps back up, and the line the house is reading stays marked on the pad. The chips wear the same emblems their instances carry in the list, the demo show arrives with a script already on the pad, and Reveal Show in Finder works for the demo board too.

The ports the show runs on are settings now — only the cue port needs matching on the phones; the rest travel in the cues. A clip can play once or loop — a checkbox on each video and sound row, changeable even mid-play. An AR set follows one regime for all its projections, set on the set's own row. The help gains the AR set chapters, and the little ? buttons speak all five languages.

Assets can now be removed from the show: select a row or a whole AR set and press Delete — the Dashboard deletes its copies and tells every phone in the house to discard theirs. The show's media folder keeps files under their own names, so a production's folder reads as the production. Files changed outside the app are refused rather than delivered wrong. Help grows two chapters on AR stage sets — what they are, and how to prepare an AR set folder — and the little ? buttons now speak all five languages. The show document has its own icon.