ENV now runs even when a track has no sound source (SAMPLER with no sample loaded, PHYSICS with external input on, AU with no instrument loaded). As long as notes are triggered, ENV can be used as a modulation source. Note: on SAMPLER, PHYSICS and AU tracks, setting DECAY to maximum bypasses the envelope, so ENV outputs nothing (on SYNTH tracks ENV still runs at maximum DECAY).

1.3.8 changes: - Added a TRI button in the left column of the editor. When it is on, the width of two cells is divided into three so you can enter triplets; the notes that were already there stay in place. Tracks 1-4 switch per track, tracks 5-8 switch together. Triplets are not affected by SWING. The overview row on the MAIN page shows a triplet marker. - The GRID on the right shows two bars at once in full screen. - Long notes can now extend across the bar line into the next bar, up to one bar long. The next page shows the continued part. - Tracks 1-4 editor: the highest and lowest note are now one RANGE button that opens a window. - Tracks 5-8 editor: the four ratio buttons are now one RATIO button that opens a window where each of the four tracks is set. - SETUP: added VIDEO RECORDING. While recording audio you can also record video of the app screen and of the VISUAL output. The files are saved in the same folder as the audio and start and stop with the recording. 1.3.7 changes: - FX CHAIN: three effects, GRANULAR / KARPLUS / GLITCH. GLITCH is new. The three can be chained in series, the order can be rearranged freely, and each has its own Dry/Wet. - MIXER: the TEXTURE knob on each track is now named FX CHAIN. - Added a MOD button. Long-pressing a control no longer opens the MOD ROUTE panel; turn MOD on, then tap a control. - MOTION button: tap to turn MOTION playback on or off. Yellow while on, no color while off. While off you can set values by hand; turning it back on returns to the same MOTION. - MOTION button: hold to start MOTION recording. The button turns red from left to right while holding and stays red while recording. Tap while recording to stop; it returns to yellow. - Modulation no longer stops while you are moving a knob or fader. - The LEARN button is now named MIDI. - PERFORM: added a four-way PAD (TWO AXIS / FOUR WAY switch). - Fixed crackling on the external input when moving EQ or knobs. 1.3.6 changes: - MIXER: PAN now supports MOTION REC and MIDI LEARN, and SEQ / LFO 1-6 can be assigned to it in MOD ROUTE. 1.3.5 changes: - LIVE: the overview on the left is now display plus RANGE handles only. The RANGE handles can move across bars (bars are added in the editor on the right). - Segment editor: the button row at the bottom left is now a dropdown. In addition to VELOCITY / PROBABILITY / PITCH PROBABILITY you can edit DECAY / RATCHET / RATCHET COUNT / RATCHET COUNT PROBABILITY per note. - RATCHET COUNT PROBABILITY: when a RATCHET fires, the repeat count is picked at random from the values up to the COUNT you set. - Drum tracks: the count is shown while dragging RATCHET COUNT. - DECAY / RATCHET on locked notes are no longer overwritten by TURING MACHINE and GENERATE. - Fixed PROBABILITY and similar values being written to the wrong step from the second bar onward.

- MOD ROUTE sources now include ENV 1-8: each track's DECAY envelope can be used as a modulation source. - UTILITY: the DRAW button sits in the top-left corner of the SEQUENCER panel. While on, you can draw directly on the curve area and on the three LFO pads. A drawn LFO shows S&H / T&H with a step count on the top row and RESET on the bottom row. - MIXER: per-track BUS selection (MASTER / A1 / A2 / A3). - VOICE SYNTH: the oscillator itself now plays the loaded wavetable (previously a sine carrier with the wavetable as modulator only); the leftmost POSITION is a pure sine. The POSITION knob sits next to the waveform display and follows modulation in real time. New frame-size selection (256 to 4096). - MOD ROUTE targets show their source as a single character (m = MOTION, s = SEQ, 1-6 = LFO 1-6).

- Segment length extended from 16 to 64 bars. The bar label row scrolls 8 bars at a time; the fullscreen editor shows all 64. - LFO count raised from 3 to 6. The UTILITY LFO panel switches between 1|4, 2|5 and 3|6. SPEED is a horizontal fader with SYNC / UNI below it, and the X-Y pad fills the panel height. - UTILITY OUTPUT: seven vertical bipolar faders (LFO1-6 and SEQ) set the output mix. Output channel selection moved to SETUP (MOD OUTPUT). - MIXER: SIDECHAIN moved into the EQ popover. A per-track FILTER bar (LPF / OFF / HPF) takes its place. MASTER FILTER knob added to the EFFECT row. - Track FILTER x8 and MASTER FILTER are MIDI-learnable and PERFORM-controllable.

- SAMPLER MULTI: per-pad LEVEL / PITCH / FILTER / RESO / PAN, LAUNCH mode, CHOKE group and start / end points. Pads are now polyphonic. - SAMPLER MULTI is available on tracks 1-4. - PERFORM fader: HORIZONTAL orientation and SPRING return on release (OFF / MIN / CENTER / MAX). - PERFORM XY pad: SPRING per axis. - TEXTURE send/return: a grain stage in front of Clouds sharing the existing knobs. TEXTURE also drives chaos amount, SPREAD chaos rate, FREEZE holds the grain buffer.