Fixed a crash on some Theory pages: a chord Theory page closed the app when an example had a tie, slide, or hammer-on across a bar line, such as the m6/9 page. Same sound: the note before a row break is drawn without its link, and playback still plays the tie, slide, or hammer-on.

Rating request after 20 opens: the app asks with the store's own rating sheet, and only when you come back to the main screen. Three times at most: if you skip it, the app asks again 20 opens later, then stops for good. Rate Guitamania in Settings opens the store page and ends the requests.

Updated Theory content for the Triad and Chord libraries: a detailed explanation of the theory behind each chord type. Every type comes with real-world examples, common mistakes made in practice, and tips for practicing and remembering it.

• Full neck page: Scales and Arpeggios gain shapes that link across neighboring CAGED shapes, not only inside a single one. • New shapes in the Explorer: sweep shapes for Arpeggios and 3NPS shapes for seven-note scales. • Search without accents: Vietnamese typed without accents finds the same scales and chords. • Screen stays on: while you study a shape in the Explorer, CAGED and Full neck.

• Easier detail and CAGED screens: pick a CAGED shape by tapping the letter beside each window, and every detail screen shares one bottom row. • Real drums in the Metronome: 18 grooves sampled from a real drum kit, three click sounds, and louder output. • Japanese, Korean and Thai: three new languages, plus lighter Library and Tools hubs. • Library fixes: all five major pentatonic modes and a correct alt7. Works 100% offline.

• 43 arpeggio types: the Arpeggio library grows from 9 to 43 types in five groups, with search in the Type sheet and CAGED shapes throughout. • Two new chords: m add11 and maj7sus4 join the library, and every chord opens on the easiest shape within three frets of the lowest. • Saving, reworked: the confirmation carries View and Undo, and the library hub has a Saved row with counts. • One color language across every screen, and a clearer metronome beat. Works 100% offline.

• One layout for every library: Chords, Arpeggios, Scales and Triads now share a screen. Root and Type on top, shapes and Play at the bottom. You can save triads too. • The CAGED System for Triads: open the long neck from any triad. In Scales and Arpeggios, All shows all five shapes at once. • New metronome: a bigger ring with tap tempo inside it and Start at the bottom. Smooth on 120 Hz phones. • Reopen the app and you're back where you left off. Works 100% offline.

• The CAGED System: All five CAGED shapes on a long neck for Chords, Scales and Arpeggios — real grips with finger numbers, plus Listen for one shape or the whole neck. • Sharper Tuner: The in-tune chime now answers every pluck, and one bubble on the needle shows offset and direction, replacing the LOW and HIGH lamps. • Fixes: Vietnamese mic prompt on iOS, and bottom buttons no longer hidden by the navigation bar. • 100% offline capability retained.

What's New in v1.1.2 • Redesigned Tuner: interactive headstock pegs, reference pitch playback, new Chromatic mode, and low-string pitch fixes. • Upgraded Audio: new Martin HD-28 acoustic sample set delivering brighter tone, longer sustain, louder volume, and smoother note overlaps. • Expanded Library: added spread voicings (expanding triads to 1,968 grips), recalibrated difficulty ratings, and unified navigation. • 100% offline capability retained.

What's New in v1.1.1 • Redesigned Tuner: Interactive headstock pegs, reference pitch playback, new Chromatic mode, and low-string pitch fixes. • Upgraded Audio: New Martin HD-28 acoustic sample set delivering brighter tone, longer sustain, louder volume, and smoother note overlaps. • Expanded Library: Added spread voicings (expanding triads to 1,968 grips), recalibrated difficulty ratings, and unified navigation. • 100% offline capability retained.

Chord library rewritten: • 696 chords (was ~540), 13 new chord types • Voicings now ordered up the neck by fret, matching the fret number on each card • Voicing names follow the actual bass string — an open C5 is named C5/G • 1,000+ extra inversions your hand is already covering • Much better fingering, calibrated over four rounds of playing every shape on a real guitar • Difficulty labels hidden for now — the model was wrong too often to state it flatly • Fixed barre lines drawing across muted strings