Granular instruments are less resource hungry.

Two new engines, automation, a real sampler, and control from a keyboard or a game controller. NEW SOUND ROUND — a resonator with its own exciter: modal bars, sympathetic strings, plucked strings, an FM voice, string chords, a string in a hall WOVEN — a macro-oscillator with 24 models, from analog and FM to chords, speech and drums, under three controls FOGGY — a granular texture effect: clouds, stretch, loop delay, spectral smear, with freeze and feedback AUT — automation. Put it on a row and the instrument and the effect morph to the next ones across the rows between, on six curves. A held note or a drone morphs without being struck again CUT — a hard stop beside KILL: stops an instrument outright, release and all THE SAMPLER Time stretch keeps the pitch while the tempo follows; vinyl mode spins it like a record Fine tune, gap-chop, round-robin and random slices, loops inside a slice, save with markers, resample a track, and audio in from other apps by paste or drop Four hits on one row play together at full level — a chopped break is a drum kit Every edge, loop and cut is faded: no clicks CONTROL A keyboard edits everything on iPad and Mac: arrows, digits, ENTER, ⇧+arrows to nudge, ⌘C ⌘V, Tab for pages. The grids scroll with the cursor Any Bluetooth game controller — PlayStation, Xbox, Switch Pro, MFi — drives the tracker, with every button mappable under OPTIONS TIMING A 192 PPQN tick clock with a groove editor per instrument; tables and note delays count in ticks; dotted tempo-sync values; auto bpm reads a sample's tempo PLUG-INS A hosted AUv3 instrument passes through its channel's insert, and the FX column's audio effects and PAN apply to it The first note of a phrase no longer vanishes on a hosted plug-in ALSO SCALE lock with a strict mode, a two-tier velocity wheel, a new demo song, and a long audit of the engine: MIDI clock, tempo clock, the last row of every song, and dozens of smaller fixes

WBTRK 3.0 is the biggest update yet: • LIVE MODE: place phrases on six scenes and launch them from pads. Quantize picks the landing spot in the bar (1/4, 2/4, 3/4, BAR, END), a master scene sets the grid, and every scene has its own MUTE, SOLO and STOP. Punch delays and filters straight into the mix and latch them. • Japanese, everywhere: the whole UI is localized, and the SPEECH engine now takes lyrics in kana or romaji with phones added for Japanese. Lyrics grow to 56 words. • Channels doubled from 6 to 12, with a new 12-channel mixer • WAV export in 16-bit and 24-bit, plus stem export and MIDI export • Big AUv3 fixes: hosted instruments are now included in WAV renders and stems, channel faders and mute apply to them, and the plug-in window goes full screen • Recording lands in the note column under the cursor (N1-N4) • PANIC lives in the top bar, always within reach • Demo songs now ship as files — find them right in "load song" • New app icon, and a large stability pass

- Minor bug fixes

- several bug fixes, including the AUv3 loading race issue - new and more adapted layout for iPad

• AUv3 effect plugins: insert on any channel or the master bus, with dry/wet mix • AUv3 Host • MIDI export and instrument • Stem export • Full-screen visualizer: wave, rings, spectrum, starfield and XY scope modes • New app icon • Several bug fixes

An ambient pack: three new engines, a reverb that runs to thirty seconds, and true stereo instruments. NEW ENGINES • DRONE — three oscillators through a wavefolder into a low-pass gate. Detune them, place each one across the stereo field, and hold a chord for as long as you like. • RESONATOR — an exciter striking a tuned resonant loop: plucked string, bowed metal, blown pipe. • TEXTURE — noise through two resonant filters: wind, rain, room tone, breath. Pin the filters or let them follow the keyboard. Ten presets each. NEW EFFECT • XL REVERB — decay from half a second to thirty, with pre-delay, damping and a modulated tail. The original REVERB is untouched, so your existing songs sound exactly as they did. Better touch handling, and less bugs.

IPAD • The interface now fills the whole screen (no more phone-sized column) • The SONG page shows 32 rows at once — half the song on one screen • The radial wheel works correctly in landscape PLUG-INS (AUv3) • Songs remember their plug-ins: a saved song now reloads the plug-in AND the exact sound you dialed inside its own screen • Plug-in notes are sample-accurate with the built-in voices (they used to fire early) • Plug-ins follow the song's tempo and transport — arpeggiators and synced effects stay in time • A crashed plug-in is detected and reloaded automatically • Mute, solo and faders now also control plug-in channels and what goes out over MIDI PLAYING & TIMING • On PHR/CHA, stepping to another phrase or chain while playing now switches at the loop — classic tracker pattern queueing • On the SONG page, play starts from the selected row • The top bar shows the tempo actually playing — watch it surge and settle through the demo • Tempo changes now land exactly at any bpm (non-integer offsets used to be swallowed) • RETRIG no longer nudges other channels' notes late • MIDI clock out is timestamped — external gear locks rock-steady • Live playback and rendered WAVs now match exactly DEMO SONG • The demo grew into a full tour: 14 engines, all 28 effects, tables, the RANDOM dice, a real amen-style break at 144 — and a two-voice duet chorus FIXED & SAFER • Instrument previews start clean — no leftover song delay/pan/tables • "Render WAV" handles very long and endlessly looping songs gracefully • Unplugging headphones pauses playback instead of switching to the speaker • The panic button now also silences plug-ins and external MIDI gear • Your work autosaves seconds after every edit (not only when leaving the app) • Open .wbtrk songs straight from Files/AirDrop — and your projects are now visible in the Files app for backup • Better recovery from phone calls, Siri and audio-system resets — plus many smaller fixes

Your tracker learned to sing! NEW ENGINES • SPEECH — a talking, singing robot. 56-word bank, four voices, TALK mode (notes pick words) and SING mode with the new LYRICS setting: one note column picks the word, the next carries the melody. Hold a syllable across notes for true melisma. • GRAIN — a granular cloud over any recording: size, density, spray, scan, per-grain pitch. Nine presets from Geiger-counter glitch to frozen drones. • MODAL — struck-resonator percussion: marimba, vibraphone, kalimba, bells, steel pan and more, with structure/brightness/ring/strike controls.

WBTRK 2.0 is a big one: • SAMPLER: record, trim, normalize, loop and beat-chop samples into playable slices • AUv3 hosting: play your installed instrument plug-ins from the sequencer • MIDI in/out with step & live recording, plus MIDI clock for hardware • New MODX dual-oscillator engine with a 4-LFO mod matrix, wavetable draw editor • New effects: tempo-synced gate & autopan, retrigger, chorus, RANDOM dice, per-channel tempo • Per-instrument swing and scale lock, chord picker, radial wheel editor • iPad support, hex numbers option, 26 themes + theme editor, new app icon • Longer demo song, autosave, undo everywhere, and a large stability pass

Fixed loading songs and themes from files. Improved file handling reliability.