• Vector with four corners — Pick which OSC sits in each corner of the pad, and use the same OSC in two corners. Tap the triangle below the pad to switch to the square. • Loop on the Vector — LFO and Path are now one mode: the point travels the circle, one of twelve ready-made shapes (Shapes) or your own drawing (Draw). Size sets how big the movement is, and Sync ties each lap to the tempo, from 1/8 to 8 bars. • Each Vector mode shows only the controls that act in it — and Depth is now called Amount. • Hand drawing on the Vector — when you lift your finger the path closes by itself and loops without a step in the sound. • Other improvements and performance fixes. • Compatibility with iPhone Duo

• Bite and Feral — two new filter options - Hold the 2-Pol cell (right-click on Mac) to choose • Improvements to the FM file reading engine • Some improvements specific to the Mac version. • Bank Select scale revised - it now follows the browser order. If you pick banks by CC0 you may need to review your numbers • Other improvements and performance fixes.

• Polyphonic aftertouch reaches the sound: in a held chord, leaning on one note swells only that note (level on all eight sources, breath on Blow/Bow, tone on FM). • MPE support added — one note per channel: sliding one finger bends only its own note. Switch in Settings, starts off. • Compare — hear the saved sound without losing your edit. • Fixed added to the keyboard curve — every note at the same strength, and the level of it. • Some improvements for the Mac version. • Other improvements and performance fixes.

• A KIT FOR BUILDING SOUNDS WITH AI: As a modern platform focused on making a musician's life easier, we publish a kit with the mapping and the controls of Tonic's patches, generated by the app itself on every release. With that file, you can bring your favourite AI assistant into your workflow. Download it at rsjb.com.br/kit • GLIDE THAT CARRIES ON: Glide improvements, with breath controllers in mind. Changing note in the middle of a slide now carries on from where the sound is, with no jumps — on every voice, including the physical ones. • KEYBOARD SPLIT IN PLAIN SIGHT: Each oscillator shows the range of keys it plays right on its own button. Full range hands the whole keyboard back in one tap, and a double tap on the range knobs jumps straight to the ends. • OTHER IMPROVEMENTS: Small stability and performance improvements.

• GLIDE WITH BREATH CONTROLLERS: In Mono and Legato, glide follows breath controllers, which start the new note before releasing the previous one. Works on every voice, including the physical ones. • ALL AND ALL 2 IN THE AUDIO ENGINE: Mapped in MIDI Learn, All and All 2 are applied straight by the audio engine, independent of the screen: immediate response to the controller, staccato included. • A STEPLESS HORN: Blow's Horn changes the tone continuously, on screen or from a controller. • 14-BIT INDICATOR IN MIDI LEARN: MIDI Learn shows when a controller is sending 14-bit (MSB + LSB), in the monitor and in the mapping list, and learns the pair's main control directly. • PHYSICAL CONTROL NAMES IN MIDI LEARN: The mapping list names each control after the active physical model (Reed, Breath and Horn on Blow; Rasp, Press and Bow on Bow), and the controller follows each model's own travel. • OTHER IMPROVEMENTS

• In the MIDI Learn range panel, choose which oscillators a knob drives. Map it once and the wheel opens the vibrato on all three layers together — and the range you set applies to all of them. • Breath controllers and expression pedals that send fine values (14-bit) are followed step by step: a slow crescendo comes out smooth, with no staircase. • Other minor improvements

• A NEW PHYSICAL-MODELLING ENGINE: The physical voices — String, Modal, Wind and Bowed — have been rebuilt from the ground up, and each one now has the character of its own instrument. You can go from a pad to a steel-string guitar, from a violin to a saxophone. • MOVEMENT, PER OSCILLATOR: Rate, Vib, Trem, Onset and Bloom are now one set per oscillator. • NEW WAVETABLES: Eight multi-frame tables that let you morph between the waves and set how far your own map is used. Plus a new function to turn the Vector on and move between the different tables. • 66 NEW FACTORY SOUNDS: Two banks: Physis, built with the physical voices — saxes, flutes, bows and nylon guitars — and Motion, the pads and keys that move on their own. • A NEW MIDI LEARN MAP: MIDI Learn now takes a minimum and a maximum. One physical knob can still drive up to four controls at once, and the mapping list shows more of what it does. • OSCILLATOR PHASE: Reset: every note attacks exactly the same. Free and Random: each note starts somewhere else in the wave, and no two come out alike — the unsteadiness that makes a pad sound analogue. Hold the voice button to choose. • OTHER IMPROVEMENTS: Bigger type on the Mac and brighter text everywhere. The Save button shows which scene it will write to. Delay time for the LFO. Drag to organise banks and sounds. Revised resonance across the filter voicings. Chord memory with scales. In the Signal Flow, hold any block of the map to copy it to another oscillator — or to another sound. The Vector Rate is now on the wavetable drawing screen too.

• A NEW PHYSICAL-MODELLING ENGINE: The physical voices — String, Modal, Wind and Bowed — have been rebuilt from the ground up, and each one now has the character of its own instrument. You can go from a pad to a steel-string guitar, from a violin to a saxophone. • MOVEMENT, PER OSCILLATOR: Rate, Vib, Trem, Onset and Bloom are now one set per oscillator. • NEW WAVETABLES: Eight multi-frame tables that let you morph between the waves and set how far your own map is used. Plus a new function to turn the Vector on and move between the different tables. • 66 NEW FACTORY SOUNDS: Two banks: Physis, built with the physical voices — saxes, flutes, bows and nylon guitars — and Motion, the pads and keys that move on their own. • A NEW MIDI LEARN MAP: MIDI Learn now takes a minimum and a maximum. One physical knob can still drive up to four controls at once, and the mapping list shows more of what it does. • OSCILLATOR PHASE: Reset: every note attacks exactly the same. Free and Random: each note starts somewhere else in the wave, and no two come out alike — the unsteadiness that makes a pad sound analogue. Hold the voice button to choose. • OTHER IMPROVEMENTS: Bigger type on the Mac and brighter text everywhere. The Save button shows which scene it will write to. Delay time for the LFO. Drag to organise banks and sounds. Revised resonance across the filter voicings. Chord memory with scales. In the Signal Flow, hold any block of the map to copy it to another oscillator — or to another sound. The Vector Rate is now on the wavetable drawing screen too.

News • VOICE MODES — Poly, Mono and Legato • OSCILLATOR PHASE — Reset, Free and Random • ARPEGGIATOR: We refined some of our ARP modes — keeping the beat right at any buffer size. • BEND: You can now set Up / Down independently, expanding your performance options. We also refined the gain leveling across several presets, plus various improvements and fixes.

2.4.1 • Fine fixes for gain, resonance, FM voices and drive 2.4.0 • NEW MODULATION MATRIX – 3 configurable routes per oscillator: LFO, envelopes, velocity, aftertouch and more – 2nd LFO per oscillator — with phase, fade-in and Trigger, 1-Shot and Global modes. – PITCH ENVELOPE – MASTER TEMPO • Two new EFFECTS – CHOP — 16 steps at the end of the rack: a still pad becomes a pulse, a chord becomes a riff. – STEREO WIDENER — opens the sound sideways; it works even on a mono source, and the mix still sums fine in mono. • RING MOD across oscillators — hold Fine: OSC 2/3 multiply by OSC 1. • CHORD MEMORY — a chord under one finger: capture your voicing or edit it note by note. Pick a SCALE and every key gives you the right chord of the key; split the keyboard to play chords on one side and solo on the other. And the arp can play relative to the chord. • SIGNAL FLOW — the visual map of the sound's path: tap a block to jump straight to it. • FOLLOW — choose whether OSC 2/3 follow OSC 1's filter, envelope and modulation, by group. • ENVELOPE improvements — pick the Linear/Exp/Log curve and draw on the graph • The FILTER is drawable too — drag on the graph to move cutoff and resonance. • Customize the COLOURS — pick the app's 4 interface colours in Settings → Colours. Various improvements and fixes

• NEW MODULATION MATRIX – 3 configurable routes per oscillator: LFO, envelopes, velocity, aftertouch and more – 2nd LFO per oscillator — with phase, fade-in and Trigger, 1-Shot and Global modes. – PITCH ENVELOPE – MASTER TEMPO • Two new EFFECTS – CHOP — 16 steps at the end of the rack: a still pad becomes a pulse, a chord becomes a riff. – STEREO WIDENER — opens the sound sideways; it works even on a mono source, and the mix still sums fine in mono. • RING MOD across oscillators — hold Fine: OSC 2/3 multiply by OSC 1. • CHORD MEMORY — a chord under one finger: capture your voicing or edit it note by note. Pick a SCALE and every key gives you the right chord of the key; split the keyboard to play chords on one side and solo on the other. And the arp can play relative to the chord. • SIGNAL FLOW — the visual map of the sound's path: tap a block to jump straight to it. • FOLLOW — choose whether OSC 2/3 follow OSC 1's filter, envelope and modulation, by group. • ENVELOPE improvements — pick the Linear/Exp/Log curve and draw on the graph • The FILTER is drawable too — drag on the graph to move cutoff and resonance. • Customize the COLOURS — pick the app's 4 interface colours in Settings → Colours. Various improvements and fixes

• BIG NEWS "Tonica community" — browse sounds shared by musicians around the world, try them out and save the ones you like. You can publish your own creations to the whole community just as easily. • New MIDI Filter section — filter the messages coming from your controllers across the different oscillators. • The SF2 engine was improved and now reads SF3 files, among other refinements. • Your library, portable — Tonic's own file formats: ".tpr" for your presets, ".tbk" for full library backups. And every preset can now carry tags to make searching easier. • Change sounds straight from your keyboard or pedalboard, or let Tonic ignore a midi message (global or by preset). Both live in Settings — pick what your show needs. • Plus a series of other improvements and fixes. Thank you for playing with RSJB - made by musicians for musicians! Follow the news at www.rsjb.com.br/en

• BIG NEWS "Tonica community" — browse sounds shared by musicians around the world, try them out and save the ones you like. You can publish your own creations to the whole community just as easily. • New MIDI Filter section — filter the messages coming from your controllers across the different oscillators. • The SF2 engine was improved and now reads SF3 files, among other refinements. • Your library, portable — Tonic's own file formats: ".tpr" for your presets, ".tbk" for full library backups. And every preset can now carry tags to make searching easier. • Change sounds straight from your keyboard or pedalboard, or let Tonic ignore a midi message (global or by preset). Both live in Settings — pick what your show needs. • Plus a series of other improvements and fixes. Thank you for playing with RSJB - made by musicians for musicians! Follow the news at www.rsjb.com.br/en

Thanks for playing Tonic! - What's New — 2.2 - Noise wave — new Classic source with 4 colours (White · Pink · Brown · Blue) (long-press), - All 1 + All 2 — two assinable now: each drives any parameter across all OSCs at once, - Main — a master volume for the whole instrument, right on the Sound Source line. - Reverb — independent Decay and Size (tail length × room size) and a tunable Shimmer, ±24 (long-press), - Recording — capture what you play and save it as WAV or M4A, with start/end trim and preview. - Fix sustain x arp - Minor improvements and fixes

Thanks for playing Tonic! - What's New — 2.2.0 - Noise wave — new Classic source with 4 colours (White · Pink · Brown · Blue) (long-press), - All 1 + All 2 — two assinable now: each drives any parameter across all OSCs at once, - Main — a master volume for the whole instrument, right on the Sound Source line. - Reverb — independent Decay and Size (tail length × room size) and a tunable Shimmer, ±24 (long-press), - Recording — capture what you play and save it as WAV or M4A, with start/end trim and preview. - Minor improvements and fixes

2.0 - Is the biggest Tonic update yet! • ARPEGGIATOR & SEQUENCER — new: a step editor with a live playhead (tie, ratchet, accent and per-step probability), 12 rhythmic masks (+ capture your own playing), swing, gate mode, key range and per-layer arp. Imports .mid patterns and follows MIDI Clock; with Hold, the pattern keeps running. • NEW LIBRARY — ~220 factory presets, re-curated and organized into banks (EP, Fusion, Waves and more): much more to start from. • VECTOR — sweep the blend of all three oscillators in real time, morphing from one timbre to another with a moving point. • USER WAVETABLES — turn any sample into a wavetable and explore it in a 3D visualizer you can drag, rotate and draw on, with Motion animating the table. Randomize up to 128 frames, set a custom angle, and more. • EFFECTS — 5-band EQ with custom frequencies (via long press). • LIVE — redesigned scenes (A–F), a re-assignable mod-wheel (you pick the target, saved per preset), tap tempo, fine-tune on the faders (long press), custom Transpose and Bend (double tap), an option to keep the screen always on and performance boost for FM sounds. • Improvements to the Vector and Arpeggiator panels; they can now be dragged anywhere and resized from the corner. • Super Saw improvements: New controls and customizations. New knobs that allow you to choose how many saws actually sound (1, 3, 5 or 7), changing the Spread and adjustments in Detune. • Improvements to the String model (volume and pitch). • Adjustments to FM voices (level and rate scaling). Thanks for playing Tonic! New features and preset banks are on the way — follow along at www.rsjb.com.br/en

2.0 - Is the biggest Tonic update yet! • ARPEGGIATOR & SEQUENCER — new: a step editor with a live playhead (tie, ratchet, accent and per-step probability), 12 rhythmic masks (+ capture your own playing), swing, gate mode, key range and per-layer arp. Imports .mid patterns and follows MIDI Clock; with Hold, the pattern keeps running. • NEW LIBRARY — ~220 factory presets, re-curated and organized into banks (EP, Fusion, Waves and more): much more to start from. • VECTOR — sweep the blend of all three oscillators in real time, morphing from one timbre to another with a moving point. • USER WAVETABLES — turn any sample into a wavetable and explore it in a 3D visualizer you can drag, rotate and draw on, with Motion animating the table. Randomize up to 128 frames, set a custom angle, and more. • EFFECTS — 5-band EQ with custom frequencies (via long press). • LIVE — redesigned scenes (A–F), a re-assignable mod-wheel (you pick the target, saved per preset), tap tempo, fine-tune on the faders (long press), custom Transpose and Bend (double tap), an option to keep the screen always on and performance boost for FM sounds. • Improvements to the Vector and Arpeggiator panels; they can now be dragged anywhere and resized from the corner. • Super Saw improvements: New controls and customizations. New knobs that allow you to choose how many saws actually sound (1, 3, 5 or 7), changing the Spread and adjustments in Detune. • Improvements to the String model (volume and pitch). • Adjustments to FM voices (level and rate scaling). Thanks for playing Tonic! New features and preset banks are on the way — follow along at www.rsjb.com.br/en

2.0 - Is the biggest Tonic update yet! • ARPEGGIATOR & SEQUENCER — new: a step editor with a live playhead (tie, ratchet, accent and per-step probability), 12 rhythmic masks (+ capture your own playing), swing, gate mode, key range and per-layer arp. Imports .mid patterns and follows MIDI Clock; with Hold, the pattern keeps running. • NEW LIBRARY — ~220 factory presets, re-curated and organized into banks (EP, Fusion, Waves and more): much more to start from. • VECTOR — sweep the blend of all three oscillators in real time, morphing from one timbre to another with a moving point. • USER WAVETABLES — turn any sample into a wavetable and explore it in a 3D visualizer you can drag, rotate and draw on, with Motion animating the table. Randomize up to 128 frames, set a custom angle, and more. • EFFECTS — 5-band EQ with custom frequencies (via long press). • LIVE — redesigned scenes (A–F), a re-assignable mod-wheel (you pick the target, saved per preset), tap tempo, fine-tune on the faders (long press), custom Transpose and Bend (double tap), an option to keep the screen always on and performance boost for FM sounds. Thanks for playing Tonic! New features and preset banks are on the way — follow along at www.rsjb.com.br/en

What's new in 1.3: - FIXED: the plug-ins can now set their own SF2/Sysex library folder — open the SF2 (or Sysex) picker and use "Set library folder…". The old message pointed to a Settings gear that doesn't exist inside a plug-in. (Thanks for the report!) - NEW: Vector synthesis — the VECTOR chip on the Oscillators panel opens an XY pad that morphs between the 3 oscillators (each corner = one OSC). Modes: XY · Env · LFO · Path — draw your own motion path on the pad and it's saved with the preset. X/Y are MIDI-learnable. - The guided tour now follows the system language (Portuguese included), with technical terms kept in English. - MIDI Learn: one hardware knob can now drive up to 4 controls at once (learn on another control ADDS a mapping). - Preset browser: tidier bank names (User Patches); the Init bank is gone from the lists — the app still opens on the Default patch. - Fixes: MIDI-learned knobs follow the controller again; scenes A–F in both plug-ins; audio-triggered filter AND amp envelopes in the effect plug-in; many small UI polish items.

Some UX improvements for the iPhone Minor fixes and improvements