QR codes in the camera work better: point at a different code and the banner follows it; move away and it goes Scan a recipe's QR code right in AIO's camera to open it

Fixed: with the Film engine, Default in the look panel now returns grain and halation to Film's own strength instead of turning them off

New: Share Recipes • Turn your look into a QR code card or a recipe code; friends scan it and it's theirs • Use a recipe you receive right away, or save it as Custom • Every AIO photo remembers its full recipe: tap "Use This Recipe" in Photo Info The look panel gets the rainbow tint bar, saved with the look and your Custom recipes Palette now stays put when you switch apps, and resets only when you close AIO

A bigger Palette • New rainbow tint bar: slide to any colour and the whole photo takes on its cast; double-tap to clear it • Tone and colour now go further at the ends: shadows can sink to black, and autumn leaves glow a richer orange The look menu is tidier, with your recipes no longer crowded, especially in English Snap's zoom bar marks each lens and clicks into it as you pass; double-tap the bar to go back to 1x

Watermarks, upgraded • Date stamps, instant, film-strip and slide frames, and your own words: set them once and every photo gets them • Videos can carry the date too • One preview shows the finished photo, and you drag the watermark right where you want it New: Palette • After focusing, tap the palette on the focus square to adjust tone and colour before you shoot • It lasts for this session only; leave the app and your own settings come back Leave for the Home Screen mid-recording and it picks up when you return, saved as one video The self-timer now blinks the flash: once at 3, once at 2, three times at 1 The mode row is a wheel again, with the mode in use standing out

Ready for iPhone Duo • Opened up, the picture sits on the left and the controls on the right, with the shutter under your right thumb • Folded, the cover screen works just as well: the layout stays put and only the icons turn New 3:2 photo ratio • The native shape of 35mm film, the perfect match for film looks Front camera: 0.5× selfies now match the viewfinder exactly, and highlights no longer blow out The mode row now stays put, with Photo in the middle Shooting straight down at a table or with the phone flat, icons and photos now turn the right way

New: edit any photo from your library • Tap "Pick one to edit" in the roll to choose any photo in your library, however old • Give it AIO's looks, filters, grain, portrait retouching, text and frames • The edited copy keeps the original date and place, and the original is left untouched The mode row is now a wheel: flick left or right to switch, just like the built-in Camera

• Fixed a custom look being lost after switching to Portrait or Snap and back to Photo

New: Snap mode • Nothing on screen but the shutter: aim and press, and the camera handles exposure and white balance • After each shot, AI looks at what's in the photo and how it's lit, then picks its colour, filter and texture, so no two come out alike • Like a roll of film back from the lab, you only see it when it comes up • Open a photo in the roll to see what it drew

• Fixed exposure compensation (EV) sometimes not changing the picture's brightness • EV now reaches -5 to +5; focus, exposure and white balance in P, and the shutter in S and M, go back to AUTO with one tap • Fixed the selfie camera opening in landscape on some models

• New Roll mode: nothing on screen but the shutter. After each shot, AI reads the photo and picks its look, filter and texture, so you only find out when it comes up, like a roll of film back from the lab • Tap a Roll photo to browse and edit it in the roll, and see what it drew • S mode's safety shift is now on by default: when the ISO needed is out of range, the shutter adjusts so photos no longer come out too dark or too bright

• White balance can be remembered: a chosen preset or colour temperature stays after you reopen the app (switch it on in the white balance menu or in Settings) • Pressing the shutter in quick succession in Film and Unprocessed no longer fails • Finer steps among the fast manual shutter speeds, up to the sensor's limit • Night mode: cleaner, brighter pictures in near darkness, and it comes on sooner in dim scenes • RAW files carry an embedded preview, so Photos and other apps show them straight away

• The shutter now sits above the Portrait / Photo / Video row, where the system Camera has it, for an easier reach • Night mode: a lit street at night no longer comes out too bright, and keeps the feel of night • Fixed white patches on vivid reds and yellows in the Film and Unprocessed viewfinder

• As Shot can be the look the camera opens on, chosen in the welcome guide or in Settings • A custom look you have adjusted now shows Save beside it, and the camera reopens on the custom look you last used • Renaming and deleting a custom look use a new menu, fixing taps that did nothing on some phones • Film and Unprocessed: tap to meter as well as focus, and a viewfinder closer to the photo you get • Fixed the zoom readout lying over the shutter and ISO in S, M and A

• Fixed photos turning grey when a different look was chosen in the editor • Shutter, ISO, EV, white balance and focus now share one dial that stays in place as you switch between them • Tap to focus and exposure compensation comes up with it

• New: Face retouching in the editor, after the shot. Everything is done on this iPhone; no photo is uploaded • One slider for a natural retouch, or adjust by part: skin, shape, eyes, nose, mouth • Blemish removal, and Heal: tap a spot and it is gone • Softer wrinkles and crow's feet • In a group photo, choose which faces to retouch • The editor's preview is now one large picture: pinch to zoom, and hold to compare with the original

• The film and original engines get a lens wheel: lenses are named by focal length, one flick changes one lens, and you feel it come off and go on • Swiping across the viewfinder now changes the filter, and the filters are reordered with the popular ones first • Every filter has a strength from 0 to 100, remembered per filter • Too close to focus no longer switches lenses by itself; a hint offers the ultra-wide and a tap takes it • The white balance dial names its lights (daylight, tungsten and so on), and its scale no longer jumps as you turn it • Zooming or changing lenses no longer makes the focus, exposure and white balance buttons jump

• Watermark position shortcuts: tap to snap it to a corner or bottom centre, or still drag it anywhere • The watermark slider is now labelled Opacity in Chinese too; 100% is fully opaque

• Manual dials now print their numbers on the scale, and whole stops click harder than thirds • Use your own transparent PNG as the watermark • Photo info lists places near where a photo was taken and opens them in Apple Maps; the editor's caption can take a place's name • ISO can be set to AUTO in M • The manual focus loupe can be closed, and Settings decides whether the loupe and focus peaking show • Over-exposure and slow-shutter notices move to the top of the picture, so the dial stops jumping • A pin on the photo preview takes you to Apple Maps to save where it was taken • Fixed the orientation of landscape shots taken from above • Fixed the dial scale flickering as you turn it

• Switch between General and Pro • Custom looks: save the recipe you dialled in on the look pad under your own name, up to five, and tap to bring it back; long press to update, rename or delete. • Watermark your videos too, with separate switches for photos and videos.

AIO Camera 4.0 — a major update • iPhone 18 Pro variable aperture: the dial in A and M runs from f/1.48 to f/4 — in thirds of a stop for photos, stepless for video — and the iris glides as you turn, with no jumps in the viewfinder. • Aperture while recording: in A mode, turn the aperture mid-take — depth of field changes, brightness stays put. • Manual focus: tap Focus in P, or switch the dial to focus in S, A and M. Focus peaking outlines what is sharp in red, a loupe shows the detail, and tapping the loupe returns to autofocus. • Auto macro (Film and Original engines): when a tap can't focus that close, the camera switches to macro and 0.5× turns into the flower; tap something farther away to go back. • Keep Subject: every subject in the viewfinder gets a number — tap one to keep only it, tap the background to keep them all. • The editor gains Brightness, and Keep Subject lets you tap each subject to keep it in colour or turn it grey. • New look, Natural (H): neutral and smooth colour, replacing Natural. • Watermark: from the top drawer, put your own words on every photo — set the opacity, drag them into place and pinch to size. • Tidier controls: one pop-up at a time; the quick drawer now pulls down from the top; the shutter, ISO and EV wheels go darker to the right and brighter to the left, with the scale following your finger. • Camera Control: the zoom number matches the picture, and in the Film and Original engines the slide steps between the 0.5×, 1× and 4× lenses. • Fixed the app's storage growing over time: temporary photos and videos left from the last session are cleared at launch. • Fixed haptics going quiet after visiting video; the microphone is no longer left on while taking photos.

• Smoother viewfinder in Portrait, fixing stutter on some iPhones • Share a photo straight to your Instagram or Facebook Story in one tap, and quickly to Threads • Fixed thin magenta edges around street lamps and other bright lights in night shots

THREE ENGINES • Standard: the iPhone's own processing • Original: developed straight from RAW, without Apple's sharpening or local tone mapping • Film: Original plus the texture of film, with grain and halation to start FILM TEXTURE • Halation: the red-orange ring film throws around bright lights • Glow: a soft, diffusion-filter bloom, live in the viewfinder • New grain: blacks stay clean, and colour film carries a touch of colour in its grain • Grain, halation and glow each have their own setting on the pad EASIER • Faster capture, noticeably so on older iPhones • Select several photos in the review screen to share or delete at once • Photos saved to your library or shared are named AIO_date_time • A 2x button in M and S • Firmer dial detents, and an exposure wheel in P • The startup look is one of the seven styles, Hiyori by default NIGHT • Night mode now also comes on in the Original and Film engines • Fewer hot pixels, no magenta rims on street lamps, fewer ghosts of passers-by

• New Portrait mode, next to Photo and Video: one tap to 2x, with skin gently softened and a softer, more natural skin tone. • On a tripod, the "Slow shutter" warning no longer stays on during long exposures. • In standard mode, S and M now note once that the photo's shutter and ISO are set by the system and are approximate. • Fixed a faint halo around people's edges with some looks, such as Hiyori (F). • Fixed photos shared by AirDrop to a Mac arriving as hidden files. They are now named by capture time.

• Variable aperture on iPhone 18 Pro: the new A (Aperture Priority) mode opens and closes the main lens between f/1.48 and f/4.0 for real, and M mode can name an aperture directly. • New Highlight protection: the film engine now rolls the brightest tones into white instead of letting them hit it, so petals, cloud and reflections keep their detail. Can be turned off in Settings. • New look, Lucid (S): clear colour at a slightly lower contrast. As Shot has moved onto the tone pad. • Exposure compensation (EV) in S and A modes. • S and M now say so when the camera cannot reach the exposure you asked for, or when the shutter is slow enough to shake. • The white balance temperature dial now lands exactly on the daylight, tungsten and other presets.