GPS SYNC 2.5 — WHAT'S NEW TRACK EXPORTS CARRY THE WHOLE RIDE A ride logged as two files — a battery swap, a lunch stop, a logger restarted mid-afternoon — exported as one of them. Every track export read whichever data row happened to be selected and wrote that alone. The rest of the ride was simply absent, with nothing to say so. • Exports now read every visible data row, layered exactly as the map and the overlay read them: where rows overlap the top one speaks, so two logs of the same stretch write one continuous path rather than two interleaved ones. • The eye and solo decide what is written. Hide a row to leave it out, solo one to export it alone. • GPX, KML, KMZ and NMEA changed together — they share a single remapping step, so none of them can disagree about what came out. THE EXPORT REGION MEANT TWO THINGS AT ONCE In and out are set on whichever ruler the timeline is showing, and with a video loaded that ruler is video time. A track export was applying those marks to the ride's own clock, so a ride that ran longer than its footage was cut at the video's last frame — with the region untouched and nothing on screen suggesting it. KML AND KMZ THAT OTHER APPS WILL OPEN A KML wrote its path only as gx:Track, Google's extension to the format. Google Earth reads it; most importers do not, and they were right to report that they had found nothing at all. • The path now leads with a plain LineString, which every reader understands. The timed copy follows in a folder of its own, so Google Earth still animates the ride and GPS Sync still reads the timestamps back. • Coordinates were written to fifteen decimal places — about a femtometre, on data good to a few metres. Seven decimals is a centimetre. A ride's KMZ that ran to two megabytes now comes in under one, and the size limits some importers enforce stop being a problem. • Exported tracks carry a line style, so they draw as a track rather than a hairline. ALSO • A track that was both synced by time and nudged exported off by the nudge. The slide is folded in before the mapping now, so what is written matches what the overlay shows.

GPS SYNC 2.4 — WHAT'S NEW CAMERAS MOUNTED UPSIDE DOWN A camera clamped under a bar or behind a seat records upside down, and the file says nothing about it: an MP4 carries the orientation the lens was built with, not the one the mount gave it. Right-click a clip and Rotate offers 90°, 180° and 270°, with Flip Horizontal and Flip Vertical beside them. • It belongs to the clip, not the project, so an angle shot upside down cuts together with one shot the right way up. • The preview, the loupe and the burned-in export all read the same orientation. What you line the overlay up against is what gets encoded. • The overlay stays upright, and at 90° or 270° it follows the new shape of the frame. • A re-oriented clip carries a mark on its row. Rotation saves with the project and undoes in one step. • Where clips disagree the first on the timeline sets the frame and the rest are fitted inside it. Mixed orientations letterbox; until now the first clip's orientation was applied to every frame, which stretched the others. LEAN ANGLE, FROM THE SENSOR OR FROM THE ROAD Lean used to come from one place: the roll the IMU measured. It follows the flick into a corner, but counts road camber as lean and its zero drifts with the mount. Settings › Lean source now offers three readings of the same corner. • IMU — the measured roll, as before, and still the default. • GPS — the lean the path implies, from speed and turn rate. It cannot drift and never mistakes camber for lean, but it lags the entry to a corner and cannot see the rider hanging off. • Blended — the GPS reading's steady angle with the IMU's fast movement over it, so the needle settles honestly and still moves when the bike does. Only .trip rides carry these channels. Projects saved before this release gain the GPS reading the moment they open — the ride's own path is all it needs. SMOOTHING FOR SLOPE AND LEAN A Tripper logs about five rows a second, and at that rate every slope and lean reading is a snapshot: the gauges twitch on road buzz long before the bike does anything. Settings › Slope & lean smoothing averages them over 1 to 100 samples, and names the window in seconds at the ride's own rate. • The window is centred — half before the moment, half after — so the gauges gain no lag as they steady. • It shapes the display only. The recording is untouched, and pulling the slider back brings the detail straight back. EXPORTS THAT STOP WHEN YOU ASK Cancel used to be a request the export could not hear: it travelled through the main thread, which a running encode leaves saturated, so the button sat pressed while the encode carried on. • Cancelling is now read on the encode thread itself, once per frame. • A cancelled export cleans up after itself. A 4K export abandoned partway used to leave gigabytes of part-written chunks behind. • Progress no longer redraws the rest of the window, so long exports stay responsive. RELINKING THAT KNOWS THE FILE BY NAME Reopening a project whose media had moved rebound clips by position, which is only right while import order and row order agree — so the wrong file could land on the wrong row, quietly. Clips now match on filename first, position only as a fallback. ALSO • The scroll wheel zooms the timeline, anchored on the playhead. Sideways scrolling still pans, so a trackpad swipe and ⇧-wheel keep doing what they did. • Data rows name their source file, so several logs of one ride can be told apart. • Reveal in Finder on clip and track context menus. • Settings scrolls, so the window keeps its size as the list grows. FIXED • The lean gauge banked every corner the wrong way — a double negation, identical in the preview and the export, which is why comparing the two never showed it.

GPS SYNC 2.3 — WHAT'S NEW REGEN BRAKING LEVEL FROM YOUR BIKE Tripper 1.5 records the regen level the bike is riding on, and GPS Sync now reads it. It matters more than it sounds: regen decides how hard the bike slows the moment you close the throttle, so the same corner taken at level 1 and at level 4 is two different rides. • A new Regen element in the overlay designer — four bars rising left to right, lit up to the level, with the level named beside them. It joins the bike cluster, on by default, and stays out of the way on rides with no bus. • Regen also appears in the map colouring menu, in the Bike card beside battery, power and ride mode, and in the debug readout. • Rides recorded before Tripper 1.5 don't carry the channel at all, so nothing appears for them rather than a gauge stuck at nothing. FOLLOW KEEPS THE ROAD AHEAD IN VIEW Follow used to pin the rider to the middle of the map, which spends half the view on road already travelled. Settings › Follow offset now places the rider lower in the frame — anywhere from centred to 45% down — so the route ahead fills what you actually watch. • Works in 2D and in 3D. Tilted, the camera looks further up the road instead of straight down at the marker. • The offset is a share of the map's height, so it holds wherever you drag the panel divider, and it survives a relaunch. PANELS THAT CLOSE Segments, Preview, Map, Graph, Info and Timeline each close and reopen from the Window menu at Control-Shift-1 through 6, and the arrangement is remembered across launches. • Whichever pane survives takes the freed width, and the splitter goes with the pair. • Segments no longer disappears along with the preview it shared a column with. A TIME RULER ABOVE THE ROWS A Premiere-style ruler runs above the timeline, with an adaptive step, minor ticks, and drag to scrub. On video-less projects it reads in ride time, matching the rows beneath it. MAP COLOURING IN ONE MENU One menu ahead of Follow replaces the old chips: speed, grade, G-force, heart rate and altitude, plus battery, volts, amps, motor RPM, power, ride mode and regen wherever the bus carries them. Ride mode is categorical, so the legend names the modes rather than printing numbers. • Every competing track is coloured now, not only the selected one, and all of them share one scale — with several logs of a ride the rest of the route used to draw plain. • Colouring a long ride no longer stalls the map. Runs are decimated to a vertex budget and only change colour past the next bucket's midpoint, which took a three-log G-force view from about 3,500 overlays down to 150, and the channel metadata is now cached off the render path. SMOOTHER HEART-RATE FILL Bridged stretches now ease rather than ramp: a climb holds low and arrives late, a drop is most of the way down by halfway. The fill still cannot wander outside the beats it bridges, and filled stretches draw dashed as well as lighter, so an estimate is never mistaken for a measurement. RETIRED • Mark Cut and its C shortcut. Split at Playhead cuts the row you mean; cuts already in a project still load, and can still be deleted. • The "Not synced" warning in the segment list — a leftover from anchoring, and placement is no longer a fault to be fixed. FIXED • The heart-rate info cell was too narrow, so a three-digit rate was truncated. • Marker labels had headroom for one lane of text where three can stack.

GPS SYNC 2.2 — WHAT'S NEW A TIMELINE FOR YOUR DATA TRACKS, WITH OR WITHOUT A VIDEO Load Tripper rides, GPX files or any mix of logs and you get a real timeline even with no video in the project: one row per track on a ride-time ruler running from the earliest sample to the latest, so several logs of the same ride line up at a glance. • Rows behave as they do beside a video — select, reorder (row order is priority), hide, solo, delete — all undoable. • Drag a row to slide that log along the ride: the fix for a logger whose clock was off. It snaps to markers, the playhead and the other tracks' edges, and the map and every readout follow the new placement at once. Reset Position returns it to its own timestamps. • In and out points work here too. GPX, KML, KMZ and NMEA exports of a track-only project now write just the samples inside the region, with markers as waypoints — they used to write the whole log. LOCK AND SOLO ON EVERY ROW • The padlock beside the eye freezes a clip or a data track: it won't slide, trim, split, re-align or be removed until you unlock it. Group something with a locked row and the whole group holds — a group moves as one unit, so freezing half of it would only break its own alignment. • Video rows gain Solo, matching the data rows: while any clip is soloed only the soloed ones play, so you can audition one angle without touching every other row's eye. NUDGE FROM THE KEYBOARD Cmd-Option-Left / Cmd-Option-Right moves the selected clips and tracks one frame; add Shift for five. Hold to keep going — the whole burst is a single Cmd-Z, and the status line reports the distance in milliseconds. Both are rebindable in Settings › Shortcuts. FILL HEART-RATE GAPS A watch or chest strap reports far less often than the logger samples, and drops out for minutes at a time, leaving the heart-rate graph blank for much of a ride. Settings › Fill heart-rate gaps bridges those gaps by interpolating between the readings either side. • Filled stretches draw in a lighter red with a Filled chip in the legend, so an estimate never reads as a measurement. • Your recording is never altered: projects still save exactly what was recorded, and switching the setting off brings the gaps straight back. RIDE MARKERS WITHOUT A VIDEO Markers you drop while recording now appear the moment the .trip loads — pinned on the map where they were dropped, flagged along the track scrubber, and listed with their ride time for renaming or jumping to. • Each marker belongs to the log it was recorded with: drag that track and its markers travel with it, while the other rows leave them alone. • Load a video later and they slide onto the video timeline, following every refinement of the sync. FOLLOW CHASES THE RIDER IN 2D With Follow on, the flat map now faces the direction of travel exactly as 3D does — the camera rides behind the marker either way, and 3D simply adds the tilt. OVERLAY DESIGNER Guides draw above every element instead of behind them, and a Guide opacity slider dials them from a whisper to full strength while you work. FIXED • Named markers and the in/out flags were clipped by the timeline, so a named marker showed up as a bare stub. • Sliding a data track left its markers stranded, and undo left them where the undone edit had put them. • Nudging or dragging a selection of data tracks to the left did nothing. • The profile graph kept drawing the old curve until it was resized. • Dragging the divider between the video and the map made the panes oscillate; the segments-panel and graph handles had the same fault. • Cmd-Option-Left / Right no longer trigger the video player's hidden fast-forward and rewind, which doubled the playback rate behind the app's own transport.

GPS SYNC 2.1 — WHAT'S NEW SIMPLER SYNCING — ANCHORS ARE GONE Dragging a track on the timeline and Sync by Time were already doing all the work, so the anchoring feature has been removed entirely. No more Anchor Mode, no map pins, no Set Anchor step — and no locked tracks: every data track now drags freely. • Align by dragging (with live snapping), by one-click Sync by Time from the camera and logger clocks, or let embedded GPS do it — then dial in the last fraction of a second with the per-segment Shift slider. • Projects that were aligned only with anchors open unsynced once — run Sync by Time or drag the track back into place, save, done. Cuts, trims, groups and markers are unaffected. ELECTRIC MOTORCYCLE TELEMETRY (CAN BUS) Tripper .trip rides recorded on a CAN-equipped electric motorcycle now import the bike's own data — and get a dashboard to match. • Six new overlay gauges: a power dial, a pack-current dial, a tachometer with red zone, a graphical battery (turns orange under 30%, red under 15%), pack voltage over the ride's range, and the ride-mode chip (SPORT, ECO…). • Dials auto-scale to the ride's actual peaks with sensible headroom, and needles are damped like a real dash cluster. The whole cluster hides itself on rides without a bus; brief bus dropouts are bridged so gauges never blink. • A new BIKE row in the info panel shows battery, volts, amps, RPM, power and mode live at the playhead. • The speed channel now shows the bike's own wheel speed wherever the bus was live (matching the Tripper app), elevation uses the fused barometer exactly as recorded, and slope defaults to the IMU reading. THE OVERLAY DESIGNER GREW UP • New design layers: add as many text, line, box and gradient elements as you like. Text in any installed font, face and size — double-click it on the canvas to edit. Lines and boxes with thickness, solid/dash/dot styles, rotation, length and corner roundness. Gradients fade your colour to transparent along a Photoshop-style drag handle — the classic darkened lower third takes seconds. • Multi-select with Shift-click or a rubber-band drag; move groups together with snapping, scale them proportionally with the handle or slider, or type an exact percentage. • Guides, like Photoshop: drag them out of the rulers, elements snap to them, drag back to delete. • Layer ordering: the element list is now a layers panel — drag rows to reorder (top = frontmost), right-click for Bring/Send, or use Cmd-] / Cmd-[ (rebindable). • New Temperature and GPS Source overlay elements for Tripper rides — ambient °C/°F and a TRIPPER DL1 · SATS / PHONE chip that follows the ride. Temperature also joined the info panel. • An EV Dashboard preset, and your design layers survive preset switches. FULL SCREEN AND WORKSPACE • Full-screen playback: a button on the video pane (or P, rebindable) shows the video with live overlays across the whole screen — Esc returns to the editor. • Track-only sessions give the map the full window; the video pane appears when a video loads. • Projects remember your workspace: the video/map split, graph height and segments-panel width are saved and restored. FIXED • Smooth playback for high-rate Tripper recordings: the map follows fluidly and speed readouts change steadily, instead of freezing and jumping once a second. • Ride markers dropped while recording appear immediately, stay correctly placed as you refine the sync, and survive saving. • The overlay preview is clipped to the video frame, so what you see is exactly what exports. • Overlay numbers no longer pick up locale digit grouping (no more "5.006" RPM).

GPS SYNC 2.0 — WHAT'S NEW A REAL EDITING TIMELINE The single video + single track model is gone. The bottom strip is now a proper timeline: a program bar, one row per video clip, one row per data track. • Clips are independent blocks: drag to slide, trim in place with bracket handles, and where rows overlap the top row wins — drag labels to reorder. • Snapping to the playhead, markers, in/out region, other clips' edges and data coverage while dragging or trimming. • Row tools: the eye disables a row without removing it, plus remove and add-file buttons. Rows are labelled V1, V2… and T1, T2… with the filename in the tooltip. LAYERED DATA TRACKS • Every imported file is its own track — GPX, KML, KMZ, NMEA, .trip, DJI .SRT and embedded GPS side by side. At any instant the topmost track with data speaks; row order is priority. • The eye mutes a track, Solo restricts the competition, and the map draws every competing track's path in its colour. Graph, info bar, overlay and export all read the same layered result. • Blocks draw at the track's true coverage, not full width, so gaps are honest. ALIGNING ON THE TIMELINE • Drag a data row against the video, with snapping and a live offset badge. • Anchor pins draw on the row, numbered to match the map pins; an anchored track locks until Clear Anchors. • Sync by Time is absolute: it places the data from the camera and logger clocks; anchors afterwards refine only the rate. • Non-destructive trim handles on data tracks, in the track's own clock — trims survive re-alignment. • Right-click a row for Sync by Time, Anchor Mode, Clear Anchors, Reset Position and Clear Trim. SPLIT, DUPLICATE, GROUP • Split at Playhead (Cmd-B) cuts a clip or a data track; the tail becomes a new row reading the same source file. Duplicate copies onto a new row beneath. • Group / Ungroup (Cmd-G / Shift-Cmd-G) makes clips and tracks select and move as one; anchoring groups them automatically. • Click empty timeline space to deselect; Delete removes the selection, Cmd-Z restores it. ALSO NEW • DJI drone telemetry: .SRT sidecars are offered automatically, both dialects parsed, and persist in the project. • 3D map (D): realistic terrain, the camera tilts and faces the direction of travel while following; your map style persists. • Preview magnifier (Z): a loupe that decodes from the full-resolution source — read a bike computer or watch in frame while you hunt a sync moment. Click to pin, scroll to zoom, Shift-scroll to resize. • Profile graph timeline mode: plot the resolved series across the whole video, or the selected track's own recording. • Timeline zoom on + and −, fit on Shift-Z, always re-centred on the playhead; playback repaints are isolated to a 30 Hz clock, so the interface stays fluid. • Many more keyboard shortcuts, all customisable in GPS Sync → Keyboard Shortcuts… • A full manual, in English and Turkish, is now on the website.