REHEARSE — A PASSAGE ON A LOOP, WITH YOUR LINE TAKEN OUT Until now every exercise was an exam: sing it once, get a score. This is the other half of learning a piece. Pick a section, or a run of them, and it plays round and round with every voice sounding except the one you are learning. A bar of clicks counts you in before each pass, so there is always somewhere to come in from. Take it slower than your rung whenever you want. Drop your own line back in for the first few passes, before you know it — switching it off again is the moment the rehearsal really starts. Nothing is scored here and the microphone stays shut. Play along until the line is yours. It opens from any section on a piece's map, already set up: your voice, at your tempo, taken out. Or open it from the map itself to loop a longer stretch — the join between two sections is exactly what a metronome on its own cannot give you. ALSO • Time spent rehearsing keeps a daily streak alive. It is never scored: a loop can say that a day happened, not how it went. • The session summary now says something beyond the percentage — your first session, a clean run, or the days you have strung together. • Settings has a way to reach a person: something not working, a piece you want added, or a score that looks wrong.