Formats, captions and a safety net. • Clip format — keep clips exactly as rendered (no re-encode), or encode every clip straight from the master to H.264, HEVC or ProRes at 1080p, 4K or original size. Frame-accurate even from an H.264 master. • Caption files — captions and subtitles on your timeline, including Final Cut Pro's Generate Captions, are written as a .srt beside each clip, timed to that clip. • Review copies — optional lightweight copies of every clip in a Review subfolder, for client dailies. • Pre-flight check — warns before cutting if the master has no audio or a codec that can't cut frame-accurately, so a wrong share setting never costs you a delivery. • Progress panel and delivery receipt during a share, with Show in Finder. • Verified with Final Cut Pro 12.4.

Relink and conform, built in. • Relink package — export a Final Cut Pro XML rebuilt against your cut clips. Re-import it and your timeline reconnects to the exported files instantly, in Final Cut Pro or DaVinci Resolve. • CSV manifest — a spreadsheet of every clip with its timeline and source timecodes, for conform paperwork and handovers. • Naming presets — save your prefix, suffix, numbering, handles and timecode setup per client or show, and recall it in one click. • Filename tokens — build names from {source}, {seq}, {project} and {date}. • Handles slider for faster adjustment. • A Settings window (Command-comma) with every option in one place, and a new Help panel if a share ever doesn't appear. The relink XML and manifest are on by default and write straight into your clips folder.

Naming window polish: the live filename preview now sits directly beside the naming fields, so you can see the effect of your prefix, suffix and numbering as you type — and the window is larger, with every option visible without scrolling. Fixed: source timecode stamping now writes the correct camera-original timecode for media whose timecode doesn't start at zero. Clips conform correctly in DaVinci Resolve and Premiere.

NEW IN 1.2 • Handles — add extra head and tail frames to every exported clip (FCP7 Media Manager style), straight from the export dialog. • Source timecode — every clip is now stamped with its original camera source timecode, so exports relink and conform against your camera originals in Final Cut Pro or Resolve. ALSO INCLUDES (1.1) • Clip renaming — add a prefix, suffix or sequence number to exported names, or replace names entirely, with a live preview in the export dialog. • Clearer onboarding with tooltips for each step. As always: frame-accurate cuts, original source filenames, no re-encode.