AnalogDAW 1.5 gives every output of a multi-output instrument its own track. • Instrument outputs — give Kick, Snare, Overheads, or any other output its own track, all playing one shared instrument: choose Input → Existing Instruments on any track. Each track has its own processing, fader, pan, sends, mute, and solo. • Record several instrument outputs in one pass — arm the output tracks and perform; each one becomes its own aligned audio clip. • Improved plugin window handling. Mac plug-in editors always fit the plug-in, and follow live as you resize it from its own resize handle or size menu. Oversized editors fit on screen and scroll from the top-left.

AnalogDAW 1.4 gives your Audio Unit plug-ins more room and more routing options. • External sidechains — choose a track, bus, or aux source from the Sidechain menu in a compatible plug-in's editor, then enable external detection inside the plug-in. Available for track, bus, aux, and master inserts. • Roomier Mac plug-in editors — resize the window, use responsive vendor interfaces or scroll fixed-size panels, and switch between Controls and Plugin UI without recreating the interface. • Easier window switching — selecting or reopening a Mac plug-in editor brings it above its sibling editors. • Compact iPhone and iPad editor headers put sidechain selection above the plug-in interface and follow the available screen size. • Sidechain sources keep their identity through session save and reopen. Routing checks reject feedback loops, and delay compensation aligns the key and main inputs. • Editor cleanup and stereo sidechain fixes improve reliability when closing plug-ins or muting a key return.

AnalogDAW 1.3 keeps your sessions intact everywhere you open them. • Ready for iPhone Duo — AnalogDAW adapts to both displays, every fold and orientation, with crisp playheads and waveforms at any display scale. • Missing plug-ins are clearly marked — an instrument or effect that isn't installed, can't run on this device, or fails to load now reads "Name — Unavailable" with the reason. Its settings, and the track's arm and monitoring, stay safely in the session. • Plug-ins come back on their own — install a missing plug-in and AnalogDAW finds it and reloads it, or choose Refresh Audio Units to update every plug-in menu at once. • Record arm is locked once you press Record, including during the count-in, so the tracks you're recording can't change mid-take. • A recording made with no tracks armed always lands on its own new track. • An instrument that never finishes loading now times out and is marked unavailable, instead of leaving its track waiting. • Sample-rate mismatch prompts now offer the rate your interface is actually running at. • Many stability fixes for undo, snapshots, freezing, and session recovery.

This update includes bug fixes and improvements: - Take folder waveform generation has been improved - Take drag-and-drop functionality has been improved - Clip and take folder resize has been improved - Fixed issues with playhead positioning when looping

AnalogDAW 1.1 makes big sessions feel light. • Resizable tracks — drag the bottom edge of a track header to make it taller; double-click to reset. Heights are saved with your session. • Live pinch zoom — zooming on a trackpad or with two fingers now redraws the grid, clips and waveforms smoothly at every step. • Instant Edit/Mix switching — each view keeps its scroll position, zoom and selection, however large the session. • Faster editing and mixing in large sessions — moving a fader or editing a clip no longer redraws every track. • New editing keys — step through clips and tracks, choose a nudge value, move or trim clips at the playhead, set the loop from a selection, and zoom to fit. • Ripple Edit now shuffles only the track you edit across delete, cut, paste, repeat, trim and move operations. • Session opening shows plug-in progress, and frozen-track clips can no longer remain selected for edits. • Solo follows your routing — route a track into a soloed bus or aux and you hear it immediately. • Dimmed lanes now show exactly what you can't hear: muted tracks, tracks outside the solo, and tracks routed to a muted bus. • Virtual instruments keep their kit or preset when your audio interface changes sample rate. • Export marker lists are in timeline order.