From a thousand frames to a finished post, without the wait. CULLING THAT SEES THE BIRD Thumbnails zoom to the bird, and the loupe lands on it at 100%. You judge sharpness without opening or dragging a single frame. Other viewers show you the bush. AN EDITOR THAT KNOWS WHERE THE BIRD IS One click finds it. Pop, Depth and Light then work on the bird alone and leave the background untouched. No masks to draw, no brushes. LIGHT YOU CAN TURN Relight has an angle: put the light on the bird from the side you choose. FEATHERS, NOT NOISE Denoise and sharpening are set per photo, and two detail sliders bring out the feather texture your sensor caught. READY TO POST Crop presets framed on the bird: Post, Tall Post, Story, and a carousel that slices one frame into slides. NOTHING INVENTED No generative AI. Every feather in the result was in your RAW.

The editor grew a bird. BIRD — analyze a frame and shape the light on the bird itself: Light, Depth, and Relight with an angle. Two feather-detail sliders sharpen what the sensor caught. All of it is held inside the subject's mask, so the background stays untouched. Crop that aims at the subject. Presets framed on the bird rather than on the viewport, a Tall Post 3:4, a carousel for multi-slice posts, and Option to resize from the centre. More of the develop. Denoise and sharpness per photo, Temp read in kelvin, and an INFO block holding the histogram and the shooting facts together. Faster to look at. Zoom out below fit, down to 25% of sensor-native. Hover stars rate the photo under the cursor. Esc leaves the loupe once the whole frame is on screen. Export asks about name clashes before the transfer, and Stop sits beside the counter. One interface. Fira Sans, a single type scale, and one proportional shape on every control.