PHOTOS • Zoom in the iPhone preview: pinch, or double-tap where you want a closer look, and double-tap again for the whole photo. Zoomed in, it fills the screen and loads in more detail. • A zoomed photo glides on after a flick and springs back at its edges, in the preview and the editor. • Swipes page as fast as you flick: the next swipe no longer waits for the last photo to land. • On iPhone, pull a photo down to close it: it follows your finger, an upward flick cancels, and on release it flies back to its place in the grid. • The next photo shows at once and sharpens as it loads. • On iPad, a pinch never switches photos in the full screen preview or in compare. • On iOS 27, a photo opens out of its grid thumbnail and closes back into it. RECIPES • On iPhone, the photos fill the width, sized by the photos themselves: a portrait photo is a third taller and wider than before, and every photo of a recipe shares one height, so nothing jumps on a swipe. • Tap a photo for full screen: swipe between the photos, pinch or double-tap to zoom, swipe down or tap Close to leave. Full screen also shows the SHOT ON line: camera, lens and exposure. • Pull the page down past its top and the photo stretches, then springs back (iOS 18 and later). • On iPhone, Compare and Share sit under the author, not a screen and a half down the page. • On iPad in portrait, a recipe is one scrolling page: the photo, its thumbnails, then the settings and the similar recipes side by side at full length. • On iPad in landscape, the photo slides with your finger, and a tap opens it full screen. EDITOR • Sliders move the moment your finger does; a double-tap still resets. • On iPad, a drag up or down over a slider, or over the tone curve away from its points, scrolls the panel instead of changing the value. • Heal strokes start exactly where your finger lands. • Holding a photo to see the original gives a light tap as it switches. LIBRARY • Stars are one control: press to see a rating, slide to change it, let go to set it. • The grid keeps its place when you switch to the editor and back. • On iPad, a tap on a grid photo selects it at once, and a double-tap opens it in the editor. • In Select, a sideways drag starts picking at the photo under your finger. INTERFACE • Buttons and controls are finger-sized, and text follows Apple's iPhone sizes. • New icons, drawn to match the rest of Jepex, replace the system ones that stood in: the Ricoh recipe settings, the crop lock, play and pause, and the status marks. • The app is 16.7 MB smaller. ACCESSIBILITY • VoiceOver names each Light slider, Exposure through Vibrance, and reads slider values to their step: Exposure at 0.4 reads 0.40. • With Reduce Motion on, the move to the next photo after a rating or a sort cuts instead of sliding.

Videos open in the editor: the clip plays, Rotate turns it a quarter turn left or right, and Export Video hands it to the share sheet. An untouched clip goes out as it is; a turned clip keeps its original quality. Touch and hold the photo in the editor to see the original; let go and the edits come back. Not on Crop and Heal, where the touch is the tool. Hold a photo in the Library for its menu: Select, Rename, Duplicate to, Move to, Export, Download from Cloud, Delete. Over Apple Photos: Select and Delete from Apple Photos. In Select, Export also offers Duplicate and Move for everything picked. Hold a folder to move it, or to split it into subfolders by date, as on the Mac. The Library's plus opens a menu with both sources: a folder from Files, or an album from Apple Photos. Inside Apple Photos, the Add Album row shows only until the first album is added. Offer codes redeemed in the App Store before you sign in reach your account: Jepex Pro turns on when you sign in, or when you tap Restore Purchases. The iPad shows sign-in and the paywall on a card, the way the Mac does. Onboarding plays a short clip of the Library, the editor and Recipes. Tips: a short note appears the first time you add a folder or album, and when edits wait to be saved. Dismiss one and it stays away. A tip points at holding the photo to see the original once you have made an edit; it retires the first time you do. In Select, a sideways drag across cells picks a run of photos, and the grid still scrolls. A rightward drag pages back to the previous photo; a swipe from the screen edge returns to the grid. Filters redraw the Library grid straight away, instead of leaving it blank until the next touch. Select keeps the iPad grid where you scrolled instead of jumping back to the first row. Photos still in iCloud no longer stall the grid, the pager or a long-press while iCloud answers. A tight crop previews sharp in the pager and the preview panel; it used to render soft. On iPhone, the Library grid runs nearly edge to edge, so the screen shows more photo. On iPhone, the recipe hero settles on a photo instead of stopping halfway between two. On iPhone, Info pulls up to full height, and a long list of camera settings scrolls inside it. Saving to Files ends in a dialog naming what landed and where. Saving a clip reports it as a video: "Saved 1 photo and 2 videos", not three photos. Touch targets: sign-in fields, buttons and the X that closes a sheet are finger-sized. VoiceOver and Voice Control open and close the editor panel with Expand panel and Collapse panel, and a Library count of one reads "1 photo". Continue with Apple and Continue with Google sit on white buttons, and Return submits the form.