• New Roll mode: nothing on screen but the shutter. After each shot, AI reads the photo and picks its look, filter and texture, so you only find out when it comes up, like a roll of film back from the lab • Tap a Roll photo to browse and edit it in the roll, and see what it drew • S mode's safety shift is now on by default: when the ISO needed is out of range, the shutter adjusts so photos no longer come out too dark or too bright

• White balance can be remembered: a chosen preset or colour temperature stays after you reopen the app (switch it on in the white balance menu or in Settings) • Pressing the shutter in quick succession in Film and Unprocessed no longer fails • Finer steps among the fast manual shutter speeds, up to the sensor's limit • Night mode: cleaner, brighter pictures in near darkness, and it comes on sooner in dim scenes • RAW files carry an embedded preview, so Photos and other apps show them straight away

• The shutter now sits above the Portrait / Photo / Video row, where the system Camera has it, for an easier reach • Night mode: a lit street at night no longer comes out too bright, and keeps the feel of night • Fixed white patches on vivid reds and yellows in the Film and Unprocessed viewfinder

• As Shot can be the look the camera opens on, chosen in the welcome guide or in Settings • A custom look you have adjusted now shows Save beside it, and the camera reopens on the custom look you last used • Renaming and deleting a custom look use a new menu, fixing taps that did nothing on some phones • Film and Unprocessed: tap to meter as well as focus, and a viewfinder closer to the photo you get • Fixed the zoom readout lying over the shutter and ISO in S, M and A

• Fixed photos turning grey when a different look was chosen in the editor • Shutter, ISO, EV, white balance and focus now share one dial that stays in place as you switch between them • Tap to focus and exposure compensation comes up with it

• New: Face retouching in the editor, after the shot. Everything is done on this iPhone; no photo is uploaded • One slider for a natural retouch, or adjust by part: skin, shape, eyes, nose, mouth • Blemish removal, and Heal: tap a spot and it is gone • Softer wrinkles and crow's feet • In a group photo, choose which faces to retouch • The editor's preview is now one large picture: pinch to zoom, and hold to compare with the original

• The film and original engines get a lens wheel: lenses are named by focal length, one flick changes one lens, and you feel it come off and go on • Swiping across the viewfinder now changes the filter, and the filters are reordered with the popular ones first • Every filter has a strength from 0 to 100, remembered per filter • Too close to focus no longer switches lenses by itself; a hint offers the ultra-wide and a tap takes it • The white balance dial names its lights (daylight, tungsten and so on), and its scale no longer jumps as you turn it • Zooming or changing lenses no longer makes the focus, exposure and white balance buttons jump

• Watermark position shortcuts: tap to snap it to a corner or bottom centre, or still drag it anywhere • The watermark slider is now labelled Opacity in Chinese too; 100% is fully opaque

• Manual dials now print their numbers on the scale, and whole stops click harder than thirds • Use your own transparent PNG as the watermark • Photo info lists places near where a photo was taken and opens them in Apple Maps; the editor's caption can take a place's name • ISO can be set to AUTO in M • The manual focus loupe can be closed, and Settings decides whether the loupe and focus peaking show • Over-exposure and slow-shutter notices move to the top of the picture, so the dial stops jumping • A pin on the photo preview takes you to Apple Maps to save where it was taken • Fixed the orientation of landscape shots taken from above • Fixed the dial scale flickering as you turn it

• Switch between General and Pro • Custom looks: save the recipe you dialled in on the look pad under your own name, up to five, and tap to bring it back; long press to update, rename or delete. • Watermark your videos too, with separate switches for photos and videos.

AIO Camera 4.0 — a major update • iPhone 18 Pro variable aperture: the dial in A and M runs from f/1.48 to f/4 — in thirds of a stop for photos, stepless for video — and the iris glides as you turn, with no jumps in the viewfinder. • Aperture while recording: in A mode, turn the aperture mid-take — depth of field changes, brightness stays put. • Manual focus: tap Focus in P, or switch the dial to focus in S, A and M. Focus peaking outlines what is sharp in red, a loupe shows the detail, and tapping the loupe returns to autofocus. • Auto macro (Film and Original engines): when a tap can't focus that close, the camera switches to macro and 0.5× turns into the flower; tap something farther away to go back. • Keep Subject: every subject in the viewfinder gets a number — tap one to keep only it, tap the background to keep them all. • The editor gains Brightness, and Keep Subject lets you tap each subject to keep it in colour or turn it grey. • New look, Natural (H): neutral and smooth colour, replacing Natural. • Watermark: from the top drawer, put your own words on every photo — set the opacity, drag them into place and pinch to size. • Tidier controls: one pop-up at a time; the quick drawer now pulls down from the top; the shutter, ISO and EV wheels go darker to the right and brighter to the left, with the scale following your finger. • Camera Control: the zoom number matches the picture, and in the Film and Original engines the slide steps between the 0.5×, 1× and 4× lenses. • Fixed the app's storage growing over time: temporary photos and videos left from the last session are cleared at launch. • Fixed haptics going quiet after visiting video; the microphone is no longer left on while taking photos.

• Smoother viewfinder in Portrait, fixing stutter on some iPhones • Share a photo straight to your Instagram or Facebook Story in one tap, and quickly to Threads • Fixed thin magenta edges around street lamps and other bright lights in night shots

THREE ENGINES • Standard: the iPhone's own processing • Original: developed straight from RAW, without Apple's sharpening or local tone mapping • Film: Original plus the texture of film, with grain and halation to start FILM TEXTURE • Halation: the red-orange ring film throws around bright lights • Glow: a soft, diffusion-filter bloom, live in the viewfinder • New grain: blacks stay clean, and colour film carries a touch of colour in its grain • Grain, halation and glow each have their own setting on the pad EASIER • Faster capture, noticeably so on older iPhones • Select several photos in the review screen to share or delete at once • Photos saved to your library or shared are named AIO_date_time • A 2x button in M and S • Firmer dial detents, and an exposure wheel in P • The startup look is one of the seven styles, Hiyori by default NIGHT • Night mode now also comes on in the Original and Film engines • Fewer hot pixels, no magenta rims on street lamps, fewer ghosts of passers-by

• New Portrait mode, next to Photo and Video: one tap to 2x, with skin gently softened and a softer, more natural skin tone. • On a tripod, the "Slow shutter" warning no longer stays on during long exposures. • In standard mode, S and M now note once that the photo's shutter and ISO are set by the system and are approximate. • Fixed a faint halo around people's edges with some looks, such as Hiyori (F). • Fixed photos shared by AirDrop to a Mac arriving as hidden files. They are now named by capture time.

• Variable aperture on iPhone 18 Pro: the new A (Aperture Priority) mode opens and closes the main lens between f/1.48 and f/4.0 for real, and M mode can name an aperture directly. • New Highlight protection: the film engine now rolls the brightest tones into white instead of letting them hit it, so petals, cloud and reflections keep their detail. Can be turned off in Settings. • New look, Lucid (S): clear colour at a slightly lower contrast. As Shot has moved onto the tone pad. • Exposure compensation (EV) in S and A modes. • S and M now say so when the camera cannot reach the exposure you asked for, or when the shutter is slow enough to shake. • The white balance temperature dial now lands exactly on the daylight, tungsten and other presets.

Fixes manual shutter and ISO not taking effect in M and S modes on some models.

Fixes a crash that could occur when taking a photo in M mode on some models.

• Manual mode supports a physical variable aperture: on a lens with an aperture range, such as the iPhone 18 Pro main camera, the dial gains an f-number and the viewfinder shows that aperture's depth of field. Models with a fixed aperture don't show the control. • The film engine now works with the front camera. • The filter row in the viewfinder loops around. • Colour and tone adjustments reach further, so moving them makes a clearer difference. • With the adjustment pad open, a swipe across the picture above it still changes the colour system. • As Shot can use the colour and tone adjustments too.

• New Keep Color filter: tap the picture to choose the color to keep; everything else goes black and white. • New Keep Subject filter: recognizes people, animals and objects automatically — the subject stays in color, the background goes black and white. • Editor: filters shown as thumbnails of your photo, adjustments update live, and Keep Color can be picked by tapping. • Night mode: signs and lights no longer blow out; night mode stays off beyond the optical zoom range. • Smoother live view on Apple Watch.

• New: Apple Watch remote — see the live view, fire the shutter, use the self-timer, zoom with the Digital Crown, and switch between photo and video from your wrist. • White balance is now a menu: tap AWB to pick a light source, long-press to lock. • Film mode S/M: the live view now matches the finished photo far more closely. • Night mode protects highlights: white objects and lights no longer blow out, while shadows are lifted naturally. • Fixed the preview looking too bright after switching from S/M back to P.

AIO Camera 3.0 — a major redesign • New layout: P/S/M and format are drop-down menus at the top; EV, white balance and filters sit on the viewfinder; icons turn upright when you hold the phone sideways. • New "As Shot" look, now the default, keeps the iPhone's own colour — seven looks in all, and swiping cycles through them endlessly. • A colour × tone pad replaces the strength slider and updates the viewfinder as you drag; each look remembers its own setting. • Skin protection: with people in the frame, looks apply at half strength on skin. • Switch between the Standard and Film engines right from the format menu. • S and M start from auto exposure's settings and show an exposure meter; long shutters look closer to the photo in the viewfinder. • Night mode: fewer blown highlights in brighter scenes, and much faster, steadier processing on older iPhones. • Photos are shared as pictures, not files.

• Night mode: fixed the ultra-wide lens being used when the zoom sat just under 1×; better ultra-wide night shots; a burst interrupted by the system now finishes itself. • The denoiser retrained on many more iPhone 17 Pro night scenes. • Settings: Night mode off / automatic / on.

• Film engine: every photo is a single raw frame straight from the sensor, developed and coloured by the app itself, with none of the system's multi-frame fusion or HDR. Like a one-lens film camera. • White balance: tap to change the light, hold to lock; a kelvin dial in M. • The six looks retuned: skin, skies and greens sit better. • The roll pages further back into your library, up to 100 photos. • Tidier settings, and a layout fix in M.

• Night mode: engages on its own in the dark, merges a burst of RAW frames and denoises them with an on-device model. Works on the front camera too, with automatic fill light when there is no light at all. • Face priority: focus and exposure follow the faces in the frame, each with a square; tap one to choose it. • Double-tap a subject to follow it; focus and exposure track it as it moves. • Take a photo while recording video, without interrupting the recording. • A format badge at the top opens the matching setting; the 48MP switch now lives under Output. • A reminder when a newer version is available.

• The roll now lists your recent library photos, ready to edit with AIO Camera's looks; DNG included. • The shutter is ready again as soon as a frame is captured, and zero shutter lag is on. • The filter picker shows each filter on the live viewfinder in a row of small previews. • The front camera offers 0.5x and 1x where the iPhone supports it, and opens at 0.5x. • Fixes the front camera image being squeezed after switching the framing at 1x. • Fixes a spurious "recording failed" message when the record button was pressed twice quickly. • Photos deleted in the Photos app are now removed from the app's review strip as well. • The grid switch is remembered.