• Only the patched inputs are recorded: a take's files no longer carry the unpatched inputs of the interface (20 inputs with 4 patched = 5 times less disk, and 5 times more look-back before the disk loop recycles). Each card folder keeps the list of its inputs (channels.txt). • The default recording folder chosen in Preferences applies immediately (it used to require a restart). • TIME LEFT is computed from the patched inputs (real data rate). • The "DISK SPACE: LESS THAN 2 HOURS" warning names the recording folder. • Export and Montage: new true peak limiter ("TP limiter") for R128 loudness — the target is reached exactly and peaks stay below -1 dBTP, with no distortion (5 ms look-ahead, program-dependent release). Default set in Preferences. • R128 without the limiter: gain now stops when the true peak reaches -1 dBTP (EBU R128), measuring the peaks between samples that clip converters and MP3/AAC encoders. • The export status shows the loudness reached, the peak in dBTP and the limiter's gain reduction. • Button tooltips now appear. • Player: compressed sounds now play — MP2 (including broadcast WAV files carrying MPEG Layer II), MP3, AAC/M4A, AIFF, FLAC. Your original file is never modified. • Player: click inside the playing sound to move the playhead; a red sweep warns during the last 15 seconds of sounds longer than 30 s; clearer colours for playing, next and upcoming sounds; scroll bar for long lists. • Export: the overview now shows the whole take, however long (it was limited to the last 10 minutes). • Export: track names from "Name tracks" appear on the lanes; files sent to the Player are dated YYYYMMDD. • Dante and other network cards: Infinity Rec never changes their sample rate; the recording adopts the network rate and warns if it changes. • Input cards chosen in routing are reopened at the next launch. • Power cut or forced sleep during a take: the gap is kept in place on the timeline, its length taken from the timecode. • "Test this disk…" in Preferences, with a PDF report. Event log in Preferences. • Fixes: export during recording no longer truncated, TIME LEFT accurate, Trash refused as a destination.

• Export and Montage: new true peak limiter ("TP limiter") for R128 loudness — the target is reached exactly and peaks stay below -1 dBTP, with no distortion (5 ms look-ahead, program-dependent release). Default set in Preferences. • R128 without the limiter: gain now stops when the true peak reaches -1 dBTP (EBU R128), measuring the peaks between samples that clip converters and MP3/AAC encoders. • The export status shows the loudness reached, the peak in dBTP and the limiter's gain reduction. • Button tooltips now appear. • Player: compressed sounds now play — MP2 (including broadcast WAV files carrying MPEG Layer II), MP3, AAC/M4A, AIFF, FLAC. Your original file is never modified. • Player: click inside the playing sound to move the playhead; a red sweep warns during the last 15 seconds of sounds longer than 30 s; clearer colours for playing, next and upcoming sounds; scroll bar for long lists. • Export: the overview now shows the whole take, however long (it was limited to the last 10 minutes). • Export: track names from "Name tracks" appear on the lanes; files sent to the Player are dated YYYYMMDD. • Dante and other network cards: Infinity Rec never changes their sample rate; the recording adopts the network rate and warns if it changes. • Input cards chosen in routing are reopened at the next launch. • Power cut or forced sleep during a take: the gap is kept in place on the timeline, its length taken from the timecode. • "Test this disk…" in Preferences, with a PDF report. Event log in Preferences. • Fixes: export during recording no longer truncated, TIME LEFT accurate, Trash refused as a destination.

• Player: compressed sounds now play — MP2 (including broadcast WAV files carrying MPEG Layer II), MP3, AAC/M4A, AIFF, FLAC. Your original file is never modified. • Player: click inside the playing sound to move the playhead; a red sweep warns during the last 15 seconds of sounds longer than 30 s; clearer colours for playing, next and upcoming sounds; scroll bar for long lists. • Export: the overview now shows the whole take, however long (it was limited to the last 10 minutes). • Export: track names from "Name tracks" appear on the lanes; files sent to the Player are dated YYYYMMDD. • Dante and other network cards: Infinity Rec never changes their sample rate; the recording adopts the network rate and warns if it changes. • Input cards chosen in routing are reopened at the next launch. • Power cut or forced sleep during a take: the gap is kept in place on the timeline, its length taken from the timecode. • "Test this disk…" in Preferences, with a PDF report. Event log in Preferences. • Fixes: export during recording no longer truncated, TIME LEFT accurate, Trash refused as a destination.

• Universal app: now runs on Intel Macs as well as Apple Silicon • Minimum system lowered to macOS 12 Monterey, so studio and broadcast machines that are not on the latest macOS can install it

• The Mac no longer goes to sleep while recording • Recording resumes on its own if the audio interface is unplugged and plugged back in • Disk writes are retried, never dropped at the first error; files stay valid even after a crash • Larger recording buffer, high-priority disk thread

• Audio engine hardened for long unattended sessions • Cue monitoring now correct on interfaces with more than two outputs • Same application whether installed from the App Store or downloaded directly