• Improved editor layouts for iPhone Duo. • Moving a clip to another layer keeps surrounding clips at their original times. • Empty overlay layers are removed when their last video or image is deleted. • Keyframe diamonds stay visible on unselected clips. • Drag clips together manually to close a timeline gap. • Fixed empty timeline gaps in video exports.

Color grading feels more comfortable on iPhone. - A cleaner Compact Color workspace for iPhone photo and video editing, with smaller scopes. - Resize the preview and controls by dragging the divider, including in expanded view. - Adjustment menus now show the active adjustment’s name, with distinct icons and color accents. - Switch between Compact and Classic in Settings. A one-time tip shows you where. - Organize markers with five colors. Tap a marker to change its color or remove it; adding one no longer opens a dialog. - Marker positions now display hours:minutes:seconds:frames timecode.

Bring a new mood to your videos with Relight. • Shape the lighting in your footage with virtual lights and creative presets. • Optimized mask tracking for better performance and more reliable results. • Refined controls for a smoother, more intuitive editing experience. • Bug fixes and stability improvements throughout the app.

More precise masking, easier zooming and eight new looks. • Refine freehand masks with editable points and curve handles. Tapping a point now selects it instead of removing it. • Zoom and pan while masking or using other editing tools, with snapping at 100% and a quick reset. • Drawing guidance now stays out of the picture, making skies and frame edges easier to mask. • More efficient mask tracking, with added checks to help prevent sudden jumps. • Eight new LUT looks: three free and five Pro, with clean names. Try every look in the preview.

More precise masking, easier zooming and eight new looks. • Refine freehand masks with editable points and curve handles. Tapping a point now selects it instead of removing it. • Zoom and pan while masking or using other editing tools, with snapping at 100% and a quick reset. • Drawing guidance now stays out of the picture, making skies and frame edges easier to mask. • More efficient mask tracking, with added checks to help prevent sudden jumps. • Eight new LUT looks: three free and five Pro, with clean names. Try every look in the preview.

New audio tools, Relight, and editing improvements. • Audio controls: Adjust volume, fades, stereo pan, and EQ, or start with a voice preset. • Compressor: Tame loud moments with a simple Amount control and advanced settings. • Auto Ducking: Choose a voice clip and automatically lower the music while the voice is active. • Creative audio: Add echo, reverb, distortion, and bitcrusher. Try space presets and monitor each clip with a live level meter. • Relight: Add virtual lights to videos you've already shot. Adjust their position, color, and intensity, or start with a preset. • Color gradients make temperature, tint, hue, and saturation sliders easier to read. • Emoji now render correctly alongside text in previews and exports. • Recover trimmed footage with the left handle, even after moving a clip to the start of the timeline.

Relight and editing improvements. • Relight: Add virtual lights to videos you've already shot. Adjust their position, color, and intensity, or start with a preset. • Color gradients make temperature, tint, hue, and saturation sliders easier to read. • Emoji now render correctly alongside text in previews and exports. • Recover trimmed footage with the left handle, even after moving a clip to the start of the timeline.

Fixed bugs & improved stability Improved UI & overall design Enhanced app performance Optimized loading & responsiveness Improved overall user experience

• Relight: add virtual lights to footage you've already shot. GradeLab estimates the shape of the scene, so light wraps around faces and subjects instead of sitting on top as a flat circle. • Directional, point and spot lights, up to six per clip. Drag them on the picture and keyframe every value. • Presets: Soft Key, Warm Sunset, Cool Moonlight, Side Light, Top Light, Rim Light, Dramatic and Soft Fill. • Works with SDR, HLG HDR and Apple Log, and with speed ramps, splits and reversed clips. Limit it to a mask to light one area only. • Import from Files on iPhone and iPad: add videos, video overlays and image overlays straight from the Files app. • Fixed photo projects that could show "Image Unavailable" after an update. Affected projects open again. • Interface improvements, bug fixes, and general app optimizations.

• Added freehand and gradient masks for more precise local color grading. • Added iPad keyboard shortcuts for Bluetooth keyboards, Magic Keyboard, and Universal Control. • Font search is now faster and remains usable when the onscreen keyboard opens. • Whites now delivers a clear, natural adjustment on standard, flat, and Log footage. • Improved stability and the overall editing experience.

TEXT ANIMATION Select a title, open Animation, pick one. No keyframes required. • 38 animations across three independent slots — In, Out and Loop — and all three can run at once • In: Fade, Slide (four directions), Pop, Zoom, Scale Up, Rotate, Rise, Typewriter, Wipe, Tracking, Blur, Character Pop • Out: a matching exit for each, plus Sink and Character Fade • Loop: Pulse, Breathing, Float, Bounce, Swing, Wiggle, Wave, Flicker, Tracking Pulse • Set duration, strength and loop speed per title. Replay plays back just the part you are tuning • Presets stay presets — change Pop to Slide Up a week later, or turn it off, in one tap Animation composes with your manual keyframes rather than replacing them. A Slide In is an offset that eases to zero, so the title lands exactly on the position you keyframed, not on a value the preset picked. Nothing you authored is overwritten, and Remove All Text Animation leaves your keyframes alone. One evaluation everywhere: playback, a paused frame, a timeline scrub and the final export all read the same clock, so what you see is what you get. Use an animated title as an Alpha Matte and the reveal animates with it — letters typing on to uncover the video underneath. TITLES ON THE CANVAS • Select several titles and they now appear on the canvas, and drag as one • Moving them keeps the spacing between them instead of stacking them on one spot • Align to canvas — left, center, right, top, middle, bottom — placing the whole selection as a block • Group drags snap to other layers' edges and centers, and to the canvas thirds, with guides FIXES • Searching for a font no longer freezes the editor on iPad • Undo keeps your whole selection instead of dropping back to one layer • Delete now sits with Add, Split and Transition in the timeline toolbar • The font list opens faster and no longer rebuilds itself on every keystroke

Speed ramping and optical flow are here. • Speed: hold a constant rate, or build a curve. Place speed points anywhere on a clip and shape the ramp with eases and Bezier handles. • Optical Flow: new frames are generated between the real ones, so slow motion stays sharp instead of stuttering. Frame Blending and Frame Sampling are there too. • Freeze Frame and Reverse: hold a frame for as long as you want, or play a clip backwards. • Presets: Montage, Hero, Bullet, Jump cut, Flash in and Flash out, each showing the curve it will make. Every one stays fully editable afterwards. • Timeline: select two or more draggable rows and move them together. • Optimized previews for smoother editing. • Interface improvements, bug fixes, and general app optimizations.

Color Warper is here, along with smoother editing. • Color Warper: shape colors with precise control points in Hue/Sat and Chroma/Luma modes. • Timeline: select two or more draggable rows and move them together. • Optimized previews for smoother editing. • Interface improvements, bug fixes, and general app optimizations.

• Timeline improvements and fixes • Select two or more timeline items and drag them together when supported • Optimized video preview for smoother playback • Improved UI and overall user experience • Performance improvements and app optimizations • Bug fixes and stability improvements

Background removal, track mattes and masking — plus a timeline that's easier to work in. REMOVE BACKGROUND Cut the background out of a clip three ways: Auto for a one-tap cutout, Lasso to draw around exactly the object you want, or Color for green and blue screen footage. The cutout tracks through the shot. TRACK MATTES Use any video, image, text or shape layer as a matte for another. Run footage through type, reveal a grade through a shape, or build a soft transition — all on the timeline. MASKING Linear, ellipse, rectangle and freehand masks for your grades, so a correction lands exactly where you want it and nowhere else. COPY GRADE, YOUR WAY Pasting a grade onto footage that is already graded now asks what you meant: Add on Top to stack it over what is there, or Replace to swap it out. MORE LANGUAGES GradeLab now speaks French, Italian and Spanish, alongside English and German. REFINEMENTS • A cleaner, simpler editor throughout • A faster, clearer timeline • Fixed: some LUT names were cut off and could not be read

Apple Log 2 support, and a much faster look browser. • Apple Log 2 — grade footage from iPhone 17 Pro. Apple Log 2 is decoded through its own Apple Wide Gamut transform rather than being treated as Apple Log, so the colour is right from the first frame, through grading and into the export. • Looks load far faster — the look browser used to fill in slowly on large LUT collections, and applying a high-resolution LUT could take seconds. Look previews now appear almost immediately and a look applies as soon as you tap it. • Fixed: the timecode above the timeline could wrap onto two lines on smaller iPhones and split a value across the break. • Fixed: importing a photo said "Analyzing Video".

Apple Log 2 support, and a much faster look browser. • Apple Log 2 — grade footage from iPhone 17 Pro. Apple Log 2 is decoded through its own Apple Wide Gamut transform rather than being treated as Apple Log, so the colour is right from the first frame, through grading and into the export. • Looks load far faster — the look browser used to fill in slowly on large LUT collections, and applying a high-resolution LUT could take seconds. Look previews now appear almost immediately and a look applies as soon as you tap it. • Fixed: the timecode above the timeline could wrap onto two lines on smaller iPhones and split a value across the break. • Fixed: importing a photo said "Analyzing Video".

Masks, tracking, keyframed grading and transitions. • Masks for color grading — grade one part of the frame with ellipse, rectangle, gradient or freehand masks. Feather, invert and stack them. Works on photos too. • Mask tracking — attach a mask to a moving subject and let it follow, forward or backward. • Keyframed color grading — animate exposure, color, HSL, wheels, curves, effects and look intensity across a clip. • Cutout masks — mask a layer so the track underneath shows through. • 45 transitions between clips, each with its own duration. • Fixed: Apple Log footage can now be transformed. Scaling, rotating and moving a Log clip no longer breaks the preview.