Rendering and film · New Classic CC rendering, with independent colour and tone controls · New Film tone option and built-in M9_STD / M9_VIVID LUTs · Recalibrated grain, fade and vignette · Film paper is now optional; turn it off to keep the original framing · Refined film paper surface texture and remembered filter tabs RAW · Improved RAW rendering and metadata reading · RAW dimensions and bit depth now come from the original image data Also · Updated render names, controls and translations · Existing recipes use the current rendering while retaining their adjustment settings

Film · New Soft Light look: turns harsh midday light into the soft feel of a low winter sun, with Fill and Warmth dials · i-Type redone: a darker, shorter tonal range with deep shadows, plus a new Haze dial that lifts the blocked shadows into a soft grey. Existing recipes keep the old look · AV105: sunlit faces no longer turn orange-yellow RAW · A new Embedded JPEG card in the inspector: see the camera's own preview inside a RAW file at full size and save it as a JPEG Grading · The built-in Apple Log and Apple Log 2 restore tables now use a RED-style rendering Also · New app icon

Grading · Four new built-in LUT looks: Negative 3, Positive 3, Classic CC and Classic NC · A new Neutral rendering for Apple ProRAW, now the default: keeps the exposure Apple metered but drops its local tone mapping and the extra saturation of its tone curve. Switch back to Apple in Settings Sources and export · If a source folder moves or its drive changes, point Rayloom to the new location and your recipes come with it · A RAW and a JPEG with the same name now keep separate recipes · The export panel is more precise: video keeps its source container (M4V included), time-lapses report their real bit rate, and RAW renders in the format you chose · Cancelling an overwrite export partway now reports exactly how many files were replaced Star stacking · Long sequences say up front when frames will be skipped, and report the real count afterwards Languages · Eight new interface languages: Japanese, Korean, Traditional Chinese, German, French, Spanish, Italian and Brazilian Portuguese Film · New CCD compact look; taste dials for the instant films and the CCD; a paper surface texture on film cards · The Film layer now sits last in the inspector, set apart from the render chain Fixes · Show Original and the preview quality now follow you to the next photo · With several lens filters on, each gets its own strength slider · Filter library, input-restore and preset errors are explained on the spot; imported restore LUTs can be deleted

New Film layer · Five instant films (mini, two square, wide and a large square) and a 35mm disposable · Photos are printed onto the card in the film's own format, and you see the card in the preview. Pick a frame colour; the mini contact-sheet style prints each photo's own shooting details along the edge · Video takes the film's look too (without the card) New Texture layer · Grain, fade and vignette, stackable with optical, tone, film, LUT and palette English interface · Rayloom now speaks English and follows your system language (it's called 织光 in Chinese) · Your recipes, presets, source folders and purchase carry over unchanged