• The AVMatrix UC1118 and UC2018 SDI Capture Cards can now record at 24fps, 25fps, 30fps, 50fps and 60fps. • Fixed an issue where the Composite Effect could crop an overlay when its aspect ratio did not match the video feed. • Fixed an issue where the duration of an In/Out Point could be off by one second.

• Timecode via Tentacle Sync! Record clips with timecode using Tentacle Sync Devices. Connect by Bluetooth or USB to send timecode to your iPad. This provides a complete proxy workflow when paired with Metadata Extract to match camera file names. • Timecode Offset! Modify the offset between the Video Input and Timecode Input so your recorded clips match camera. Delay varies between different capture cards. It’s best practice to test your offset before using it for a proxy workflow. • Record Trigger for Sony and Panasonic Cameras! Record Trigger can now be used with the Sony FX6, Panasonic Lumix S1 II and Panasonic Lumix GH7. All video output display modes are supported. • Vertical Desqueeze! Transform has been updated to support Vertical Anamorphic Formats. • Improved Audio Meters! Audio Meters are now available when playing back recorded clips. Their accuracy has been improved and now conforms to the PPM -20dbFS Standard. Given the new audio metering pipeline, the issue where Audio Meters wouldn’t work for UVC Capture Cards on iPadOS 26.4 and newer has been resolved. • Drag and Drop! Videos and Frame Grabs now support drag and drop from the Playback File List. Easily drag clips into editing software to start cutting right away. • Saved Audio Input Selection! The audio input will be saved when it’s selected from the list. This is helpful when using an external audio capture card in tandem with a different video input. • Smarter Handling of Multiple Audio Inputs! Only valid audio sources are selectable when multiple audio input devices are connected to the iPad. iPadOS only allows external audio from the last connected device, this update provides a better user experience when working around the limitations imposed by the operating system. • Updated Recording Pipeline! Variances in frame timing are now corrected while recording, this means recordings are frame accurate even if the USB Capture Card doesn’t use a high quality crystal oscillator. • Accurate Playback Timeline! Under the hood improvements bring improved frame accuracy when scrubbing the timeline. It’s now easier to precisely snap to the start and end of a clip. • Refined Frame Grab Viewer! Swiping down to dismiss now feels more natural. The navigation pager has more space and does not overlap the iPadOS Home Indicator. • The keyboard will now automatically show when adding a new project. • Fixed an issue where Mask 3 would automatically enable. • Fixed an issue where the video output would underscan on iOS 26. • Fixed an issue where VTR Reports would generate with incorrect text colors when using Dark Mode. • Fixed an issue where the most recent Frame Grab wouldn’t load when viewing it immediately after capture. • Fixed an issue where a Video Effect Slider could reset and then re-apply the previous value. ——————————————— This update includes bug fixes to solve various issues introduced in Version 2.2.0: • Recording will now stop if the connected SeeMo Device changes frame rate. • Recording will now stop if the capture card is disconnected or the app goes to the background. • Failed recordings will now correctly finalize and display an error message. • Devices that do not support ProRes can no longer select it as a video codec for recording. • Fixed an issue where recording could fail and the record button would become unresponsive. • Fixed an issue where the app could freeze while using timecode if a SeeMo Device lost signal from camera. • Fixed an issue where Auto Lock would not be disabled when the app first opens.

• Timecode via Tentacle Sync! Record clips with timecode using Tentacle Sync Devices. Connect by Bluetooth or USB to send timecode to your iPad. This provides a complete proxy workflow when paired with Metadata Extract to match camera file names. • Timecode Offset! Modify the offset between the Video Input and Timecode Input so your recorded clips match camera. Delay varies between different capture cards. It’s best practice to test your offset before using it for a proxy workflow. • Record Trigger for Sony and Panasonic Cameras! Record Trigger can now be used with the Sony FX6, Panasonic Lumix S1 II and Panasonic Lumix GH7. All video output display modes are supported. • Vertical Desqueeze! Transform has been updated to support Vertical Anamorphic Formats. • Improved Audio Meters! Audio Meters are now available when playing back recorded clips. Their accuracy has been improved and now conforms to the PPM -20dbFS Standard. Given the new audio metering pipeline, the issue where Audio Meters wouldn’t work for UVC Capture Cards on iPadOS 26.4 and newer has been resolved. • Drag and Drop! Videos and Frame Grabs now support drag and drop from the Playback File List. Easily drag clips into editing software to start cutting right away. • Saved Audio Input Selection! The audio input will be saved when it’s selected from the list. This is helpful when using an external audio capture card in tandem with a different video input. • Smarter Handling of Multiple Audio Inputs! Only valid audio sources are selectable when multiple audio input devices are connected to the iPad. iPadOS only allows external audio from the last connected device, this update provides a better user experience when working around the limitations imposed by the operating system. • Updated Recording Pipeline! Variances in frame timing are now corrected while recording, this means recordings are frame accurate even if the USB Capture Card doesn’t use a high quality crystal oscillator. • Accurate Playback Timeline! Under the hood improvements bring improved frame accuracy when scrubbing the timeline. It’s now easier to precisely snap to the start and end of a clip. • Refined Frame Grab Viewer! Swiping down to dismiss now feels more natural. The navigation pager has more space and does not overlap the iPadOS Home Indicator. • The keyboard will now automatically show when adding a new project. • Fixed an issue where Mask 3 would automatically enable. • Fixed an issue where the video output would underscan on iOS 26. • Fixed an issue where VTR Reports would generate with incorrect text colors when using Dark Mode. • Fixed an issue where the most recent Frame Grab wouldn’t load when viewing it immediately after capture. • Fixed an issue where a Video Effect Slider could reset and then re-apply the previous value. ——————————————— This update includes bug fixes to solve various issues introduced in Version 2.2.0: • Recording will now stop if the connected SeeMo Device changes frame rate. • Recording will now stop if the capture card is disconnected or the app goes to the background. • Fixed an issue where recording could fail and the record button would become unresponsive. • Fixed an issue where the app could freeze while using timecode if a SeeMo Device lost signal from camera. • Fixed an issue where Auto Lock would not be disabled when the app first opens.

• Timecode via Tentacle Sync! Record clips with timecode using Tentacle Sync Devices. Connect by Bluetooth or USB to send timecode to your iPad. This provides a complete proxy workflow when paired with Metadata Extract to match camera file names. • Timecode Offset! Modify the offset between the Video Input and Timecode Input so your recorded clips match camera. Delay varies between different capture cards. It’s best practice to test your offset before using it for a proxy workflow. • Record Trigger for Sony and Panasonic Cameras! Record Trigger can now be used with the Sony FX6, Panasonic Lumix S1 II and Panasonic Lumix GH7. All video output display modes are supported. • Drag and Drop! Videos and Frame Grabs now support drag and drop from the Playback File List. Easily drag clips into editing software to start cutting right away. • Vertical Desqueeze! Transform has been updated to support Vertical Anamorphic Formats. • Improved Audio Meters! Audio Meters are now available when playing back recorded clips. Their accuracy has been improved and now conforms to the PPM -20dbFS Standard. Given the new audio metering pipeline, the issue where Audio Meters wouldn’t work for UVC Capture Cards on iPadOS 26.4 and newer has been resolved. • Saved Audio Input Selection! The audio input will be saved when it’s selected from the list. This is helpful when using an external audio capture card in tandem with a different video input. • Smarter Handling of Multiple Audio Inputs! Only valid audio sources are selectable when multiple audio input devices are connected to the iPad. iPadOS only allows external audio from the last connected device, this update provides a better user experience when working around the limitations imposed by the operating system. • Updated Recording Pipeline! Variances in frame timing are now corrected while recording, this means recordings are frame accurate even if the USB Capture Card doesn’t use a high quality crystal oscillator. • Accurate Playback Timeline! Under the hood improvements bring improved frame accuracy when scrubbing the timeline. It’s now easier to precisely snap to the start and end of a clip. • Refined Frame Grab Viewer! Swiping down to dismiss now feels more natural. The navigation pager has more space and does not overlap the iPadOS Home Indicator. • The keyboard will now automatically show when adding a new project. • Fixed an issue where Mask 3 would automatically enable. • Fixed an issue where the video output would underscan on iOS 26. • Fixed an issue where VTR Reports would generate with incorrect text colors when using Dark Mode. • Fixed an issue where the most recent Frame Grab wouldn’t load when viewing it immediately after capture. • Fixed an issue where a Video Effect Slider could reset and then re-apply the previous value.

• Multiple Masks! The Mask Effect now supports three separate masks. Easily display multiple frame lines at the same time. Each mask has independent controls for shading, color, line thickness, etc. • Record Trigger for Canon Cameras! Record Trigger can now be used with the Canon C50 and Canon C400. All video output display modes are supported. Canon Cameras that use the same style of video output will also work. • Metadata Extraction for RED and Sony Venice! Status info displayed on the camera feed can be extracted using computer vision. Metadata Fields include Clip Name, Frame Rate, Lens, Iris, ND Filter, Exposure Index, Shutter, White Balance, Color Correction and Timecode Start/End. • Match Camera File Name for RED and Sony Venice! The camera file name can be detected with Metadata Extraction and used for clips recorded in Video Assist. • Projects will display their Total File Size in the Project View. This makes it easy to identify projects that are taking up a lot of space on your iPad. • Mask Aspect Ratios can now be quickly selected via the context menu. Tap and Hold on ‘Aspect Ratio’ when using the Mask Effect to select from common aspect ratios. • Fixed an issue where Record Trigger would repeatedly roll and cut when using the Sony Burano in S&Q Mode. • Fixed an issue where files would record with the incorrect orientation if using the iPad Back Camera. • Fixed an issue where the Composite Effect could unintentionally hide the ‘From Project’ Selection View. • Fixed an issue where the selection menu for Resolution and Frame Rate could be difficult to press on iOS 26. • Fixed an issue where the context menu for Mask and Composite could be difficult to press on iOS 26. • Added Support for the 11” and 13” M4 iPad Air. ** Please Note ** Live Audio Meters are broken for UVC Capture Cards as of iPadOS 26.4 due to a bug in Apple’s AVFoundation Framework. If you rely on Live Audio Meters please stay on iPadOS 26.3 until further notice. Bringing this functionality back is dependant on Apple issuing a fix, the issue can be tracked here: https://developer.apple.com/forums/thread/820658

• Introducing VTR Reports! Create PDFs with Thumbnails, Metadata, Clip Info, Camera Info and Notes for each clip. Perfect for sharing print takes with post production or generating technical reports at the end of a shoot day. • Introducing Metadata Extraction! Status info displayed on the camera feed can be extracted using computer vision. Metadata Fields include Clip Name, Frame Rate, Lens, Iris, ND Filter, Exposure Index, Shutter, White Balance, Color Correction and Timecode Start/End. Available for all ARRI Cameras. • Introducing Match Camera File Name! The camera file name can be detected with Metadata Extraction and used for clips recorded in Video Assist. Available for all ARRI Cameras. • Contact Sheets will show as a PDF Preview after being generated. • Recorded Assets are now fetched on a background thread so the user interface is more responsive. • Disabling Auto-Lock in iPadOS System Settings is no longer required, Video Assist will prevent your iPad from automatically locking when the app is open. • Fixed an issue where the Logo Picker would glitch when opening on iOS 26.

• Introducing Support for Accsoon SeeMo Devices! Use any SeeMo Device as your audio and video input. Pairing the SeeMo Pro with Video Assist unlocks SDI Capture for everyone. All features work as you’d expect, Recording, Playback, LUTs, Live Comping, etc. The SeeMo Bitrate can be adjusted by selecting ‘Video Input’ when you are connected to the device. • Introducing Reverse Playback! Tap and Hold the Play Button to toggle between Forward/Reverse Playback. • The Metal Video Pipeline has been updated to support playback of ProRes and 10-Bit HEVC Video Files. • Added Support for the 11” and 13” M5 iPad Pro. • Updated the List of Verified HDMI and SDI Capture Cards. • Various User Interface Optimizations.

• Added support for Record Trigger on DJI Cameras. • Video File Names can use camera naming conventions with Camera Letter, Roll Number and Clip Number. • The Project List can be sorted alphabetically or by date. • Selected Resolution and Frame Rate will be remembered when you exit and re-open the app.

• Updated Design for iOS 26. • Improved Compatibility When Using ‘Light Mode’. • Updated the List of Verified SDI Capture Cards.

• Updated Design for iOS 26. • Improved Compatibility When Using ‘Light Mode’. • Updated the List of Verified SDI Capture Cards.

• Fixed an issue where the Contact Us Form would not work. • Improved Performance While in Playback. • The Project List will now show the Created Date of projects. • Opening the Options Menu in the Sidebar will now scroll to reveal the Options Buttons. • Minor updates to Metadata for Recorded Video Files.

Welcome to Video Assist 2.0, the biggest update ever! What’s New: • Introducing Compositing! Load Images or Videos from the Current Project or from an External File to be used as an overlay. Perfect for Matching Shots, Shooting Complex VFX Sequences or Previewing a Client Logo On-Set. Composite over Live or Playback Video using different Blend Modes. Use the Fade, Wipe or Transform Tools to do precise line ups. • Introducing LUTs! Use the LUT Mix Feature to dial in the intensity of a LUT. Supports 3D LUTs via .cube files using 17x17x17 and 33x33x33 sizes. • Introducing Focus Peaking! Supports Color and Luminance Overlays. The Luminance Overlay is sometimes referred to as ‘Peaking’ by Other Manufacturers. • Introducing False Color! Supports ARRI, RED and Atomos False Color Modes. • Introducing Zebra Patterns! Customise the Low Value and High Value used to measure exposure. Colors can be tweaked to suit your preferences. • Introducing Pinch to Zoom! Quickly zoom in on Live/Playback Video with a pinch, perfect to inspect details or preview framing of a close up. • Introducing Input Calibration! Some USB Capture Cards may introduce a color shift to the image, this is common in cheaper HDMI Capture Cards. Use Input Calibration to correct this color shift within Video Assist. Calibration applies to Live Video, Playback Video, Compositing, Frame Grabs, Video Thumbnails and Frame Grab Thumbnails. • Introducing the Sidebar! Video Effects can be moved to the Sidebar for easy customisation while viewing the Live/Playback Video Feed. All Video Effects can be in the Sidebar at once, making tweaks much quicker when using multiple Video Effects at the same time. • Record Videos in ProRes. This is now possible as the Recording Pipeline has been re-built from the ground up. Supports ProRes 422 Proxy, ProRes 422 LT, ProRes 422 and ProRes 422 HQ. Improvements: • The Video Pipeline now runs via Apple’s Metal Framework. It is recommend that your iPad has an M1 chip or newer. If you experience dropped frames in Live/Playback on older iPads please ‘Disable Metal’ in Settings. • Added Record Trigger for the Sony Burano. Requires ‘Record Trigger Accuracy’ to be set to ‘Accurate’. • Apply Custom Bitrates when recording HEVC and H264. • Audio Codec and Audio Sample Rate can now be customized for recorded videos. Supports AAC and Linear PCM. • The Current Project and USB Capture Card Info will now be written to the metadata of recorded videos. • The Project List can now be refreshed. This will restore projects that are stored ‘On My iPad’ or in ‘iCloud Drive’ that are not showing in the Project List. • Improved the performance of Computer Vision Record Trigger, it will now function the same using less system resources. • Added support for 11” iPad Air (M3), 13” iPad Air (M3) and iPad (A16). Bug Fixes: • Fixed issue where the selected Audio Input would not be respected. • Fixed issue where External Video Output could display the image upside down when using the Front Facing iPad Camera. • Removed Histogram for Performance Reasons. It will be re-built from scratch in a future update. • Removed the JPEG Codec from Video Codec Options. New Subscription Options: Video Assist is trusted by film professionals worldwide, from Directors and DPs, to Focus Pullers, Gaffers and Script Supervisors. To maintain the high quality you depend on we're transitioning to a more sustainable business model. Video Assist 2.0 will be free to download with an optional Base or Pro Subscription. If you purchased Video Assist 1.0, thank you for being an 'Early Adopter'. You’ll receive lifetime access to the features you've come to know, the equivalent of having a permanent 'Base Subscription'. Professional features including LUTs, Focus Peaking, False Color, Zebras, Compositing and ProRes Recording are available with a 'Pro Subscription'. The 'Free Version' offers complete feature testing with a demo watermark and recording time limits.

Welcome to Video Assist 2.0, the biggest update ever! What’s New: • Introducing Compositing! Load Images or Videos from the Current Project or from an External File to be used as an overlay. Perfect for Matching Shots, Shooting Complex VFX Sequences or Previewing a Client Logo On-Set. Composite over Live or Playback Video using different Blend Modes. Use the Fade, Wipe or Transform Tools to do precise line ups. • Introducing LUTs! Use the LUT Mix Feature to dial in the intensity of a LUT. Supports 3D LUTs via .cube files using 17x17x17 and 33x33x33 sizes. • Introducing Focus Peaking! Supports Color and Luminance Overlays. The Luminance Overlay is sometimes referred to as ‘Peaking’ by Other Manufacturers. • Introducing False Color! Supports ARRI, RED and Atomos False Color Modes. • Introducing Zebra Patterns! Customise the Low Value and High Value used to measure exposure. Colors can be tweaked to suit your preferences. • Introducing Pinch to Zoom! Quickly zoom in on Live/Playback Video with a pinch, perfect to inspect details or preview framing of a close up. • Introducing Input Calibration! Some USB Capture Cards may introduce a color shift to the image, this is common in cheaper HDMI Capture Cards. Use Input Calibration to correct this color shift within Video Assist. Calibration applies to Live Video, Playback Video, Compositing, Frame Grabs, Video Thumbnails and Frame Grab Thumbnails. • Introducing the Sidebar! Video Effects can be moved to the Sidebar for easy customisation while viewing the Live/Playback Video Feed. All Video Effects can be in the Sidebar at once, making tweaks much quicker when using multiple Video Effects at the same time. • Record Videos in ProRes. This is now possible as the Recording Pipeline has been re-built from the ground up. Supports ProRes 422 Proxy, ProRes 422 LT, ProRes 422 and ProRes 422 HQ. Improvements: • The Video Pipeline now runs via Apple’s Metal Framework. It is recommend that your iPad has an M1 chip or newer. If you experience dropped frames in Live/Playback on older iPads please ‘Disable Metal’ in Settings. • Added Record Trigger for the Sony Burano. Requires ‘Record Trigger Accuracy’ to be set to ‘Accurate’. • Apply Custom Bitrates when recording HEVC and H264. • Audio Codec and Audio Sample Rate can now be customized for recorded videos. Supports AAC and Linear PCM. • The Current Project and USB Capture Card Info will now be written to the metadata of recorded videos. • The Project List can now be refreshed. This will restore projects that are stored ‘On My iPad’ or in ‘iCloud Drive’ that are not showing in the Project List. • Improved the performance of Computer Vision Record Trigger, it will now function the same using less system resources. • Added support for 11” iPad Air (M3), 13” iPad Air (M3) and iPad (A16). Bug Fixes: • Fixed issue where the selected Audio Input would not be respected. • Fixed issue where External Video Output could display the image upside down when using the Front Facing iPad Camera. • Removed Histogram for Performance Reasons. It will be re-built from scratch in a future update. • Removed the JPEG Codec from Video Codec Options. New Subscription Options: Video Assist is trusted by film professionals worldwide, from Directors and DPs, to Focus Pullers, Gaffers and Script Supervisors. To maintain the high quality you depend on we're transitioning to a more sustainable business model. Video Assist 2.0 will be free to download with an optional Base or Pro Subscription. If you purchased Video Assist 1.0, thank you for being an 'Early Adopter'. You’ll receive lifetime access to the features you've come to know, the equivalent of having a permanent 'Base Subscription'. Professional features including LUTs, Focus Peaking, False Color, Zebras, Compositing and ProRes Recording are available with a 'Pro Subscription'. The 'Free Version' offers complete feature testing with a demo watermark and recording time limits.

Welcome to Video Assist 2.0, the biggest update ever! What’s New: • Introducing Compositing! Load Images or Videos from the Current Project or from an External File to be used as an overlay. Perfect for Matching Shots, Shooting Complex VFX Sequences or Previewing a Client Logo On-Set. Composite over Live or Playback Video using different Blend Modes. Use the Fade, Wipe or Transform Tools to do precise line ups. • Introducing LUTs! Use the LUT Mix Feature to dial in the intensity of a LUT. Supports 3D LUTs via .cube files using 17x17x17 and 33x33x33 sizes. • Introducing Focus Peaking! Supports Color and Luminance Overlays. The Luminance Overlay is sometimes referred to as ‘Peaking’ by Other Manufacturers. • Introducing False Color! Supports ARRI, RED and Atomos False Color Modes. • Introducing Zebra Patterns! Customise the Low Value and High Value used to measure exposure. Colors can be tweaked to suit your preferences. • Introducing Pinch to Zoom! Quickly zoom in on Live/Playback Video with a pinch, perfect to inspect details or preview framing of a close up. • Introducing Input Calibration! Some USB Capture Cards may introduce a color shift to the image, this is common in cheaper HDMI Capture Cards. Use Input Calibration to correct this color shift within Video Assist. Calibration applies to Live Video, Playback Video, Compositing, Frame Grabs, Video Thumbnails and Frame Grab Thumbnails. • Introducing the Sidebar! Video Effects can be moved to the Sidebar for easy customisation while viewing the Live/Playback Video Feed. All Video Effects can be in the Sidebar at once, making tweaks much quicker when using multiple Video Effects at the same time. • Record Videos in ProRes. This is now possible as the Recording Pipeline has been re-built from the ground up. Supports ProRes 422 Proxy, ProRes 422 LT, ProRes 422 and ProRes 422 HQ. Improvements: • The Video Pipeline now runs via Apple’s Metal Framework. It is recommend that your iPad has an M1 chip or newer. If you experience dropped frames in Live/Playback on older iPads please ‘Disable Metal’ in Settings. • Added Record Trigger for the Sony Burano. Requires ‘Record Trigger Accuracy’ to be set to ‘Accurate’. • Apply Custom Bitrates when recording HEVC and H264. • Audio Codec and Audio Sample Rate can now be customized for recorded videos. Supports AAC and Linear PCM. • The Current Project and USB Capture Card Info will now be written to the metadata of recorded videos. • The Project List can now be refreshed. This will restore projects that are stored ‘On My iPad’ or in ‘iCloud Drive’ that are not showing in the Project List. • Improved the performance of Computer Vision Record Trigger, it will now function the same using less system resources. • Added support for 11” iPad Air (M3), 13” iPad Air (M3) and iPad (A16). Bug Fixes: • Fixed issue where the selected Audio Input would not be respected. • Fixed issue where External Video Output could display the image upside down when using the Front Facing iPad Camera. • Removed Histogram for Performance Reasons. It will be re-built from scratch in a future update. • Removed the JPEG Codec from Video Codec Options. New Subscription Options: Video Assist is trusted by film professionals worldwide, from Directors and DPs, to Focus Pullers, Gaffers and Script Supervisors. To maintain the high quality you depend on we're transitioning to a more sustainable business model. Video Assist 2.0 will be free to download with an optional Base or Pro Subscription. If you purchased Video Assist 1.0, thank you for being an 'Early Adopter'. You’ll receive lifetime access to the features you've come to know, the equivalent of having a permanent 'Base Subscription'. Professional features including LUTs, Focus Peaking, False Color, Zebras, Compositing and ProRes Recording are available with a 'Pro Subscription'. The 'Free Version' offers complete feature testing with a demo watermark and recording time limits.

What’s New: • Projects can be recorded to an External SSD. • Projects can be recorded to iCloud Drive which allows you to easily share footage with collaborators. • Manage Projects by copying, moving or deleting videos and frame grabs from On My iPad, iCloud Drive and External Storage. • Color Correction has been updated with controls for Red, Green and Blue for precise White Balance tweaks. • Mask Overlays have been updated to support X and Y Offsets. • Transform has been updated with Quadrant Presets, this allows you to quickly zoom in to full screen when using a Quad Split to display 4 Camera Feeds. • Histogram has been updated to allow for selection of a target area. By default the histogram will analyze the entire image, this includes the status info which can impact the accuracy of the histogram read out. Best practice is to use the new target area feature to target only the actual image region of the video feed. Both RGB and Luma Histograms support this functionality. • The computer vision model that powers RED Record Trigger has been updated, it is now trained on 3x as many images which provides more accurate detection of rolling / not rolling on a wide array of RED Cameras. • Video Assist will correctly recognize the M4 iPad Pro, M2 iPad Air and the iPad Mini (A17 Pro). • Remaining Record Time is now more accurate. • Fixed issue where the current shot details would disappear when renaming a project. • Fixed issue where it would be difficult to tap an existing value for Episode, Scene or Shot. • Fixed issue where the sort order of Existing Episodes, Scenes or Shots would not sort correctly for numeric values. • Fixed issue where the duration of existing clips would not show if you transfer Video Assist to a new iPad via an iPad Backup. • Fixed issue where an Error Alert would not dismiss when tapping the OK Button. • Various UI Tweaks to ensure compatibility with iOS 18. • Various other bug fixes and performance improvements.

What’s New: • Contact Sheets now have an option to adjust Sort Order and Image Quality for more flexible output options. • The Dimmed Video Overlay will now automatically disappear after 5 Seconds when toggling Full Screen, Screen Lock or the Full Screen Toolbar. This prevents the overlay from staying on indefinitely when accidentally tapped. • Fixed issue where on-screen buttons may not work when a Scale Transform is applied. • Fixed issue where Contact Sheet Page Count would not reset between exports. • Fixed issue where Contact Sheet Subtitle would default to ‘Today’ instead of the actual date. • Added ‘Roland UVC-01’ to list of Verified HDMI Capture Devices.

• Introducing Contact Sheets! Easily generate Contact Sheets from Frame Grabs. Contact Sheets can be created for an entire Shoot Day or you can manually select specific Frame Grabs to be included. Customise your Contact Sheets with a Title, Subtitle and Logo. Supported file types for logos are .heic, .jpeg, .tiff and .png. • Fixed issue where Metadata would not update for the following shot/take when changed during recording. • The Audio Meter Output for Live Audio is now processed on a background thread. This should fix a crash that some crew members experienced in certain situations.

• Introducing Metadata! Assign Metadata for Camera, Episode, Scene, Shot, Take and Notes. Takes will auto-increment and can be set as a rehearsal or reference. Shots will intelligently match with Episodes and Scenes. Quickly select from Existing Episodes, Scenes or Takes. Stay organised by keeping detailed notes on a shot by shot basis. • Introducing the Playback Filter! Easily find any take by filtering through all recorded media for a project. Filter by Camera, Episode, Scene, Shot, Take, Notes or Rating. Filters stack with one another to find exactly what you’re looking for. • Video Out via USB-C to HDMI will no longer underscan the output. This ensures full screen output on external displays. • Video Thumbnails have been updated to show metadata. • Keyboard Shortcuts have been updated to support metadata input.

What’s New: • Introducing Keyboard Shortcuts! Connect a keyboard via Bluetooth or the iPad Smart Connector to control recording and playback. Hold the Command Key to see a list of all available keyboard shortcuts. • The Computer Vision Models that power the ARRI and Sony Record Triggers now have an accuracy option via Settings. The ‘Accurate’ Option is ideal for most circumstances. The ‘Fast’ Option fixes stutter on the video output when using Record Trigger and Video Out at the same time on older iPads. • The frame rate of the USB Capture Card is now monitored in real time and compared to your Target Frame Rate. If there are a significant amount of dropped frames a warning indicator will show in ‘Video Input’. • Debug Settings now include a Frame Rate Overlay to monitor the current frame rate of the USB Capture Card. • Removed ’23.976’ and ’29.97’ Frame Rates from the list of available options.

• The Computer Vision Model that powers Record Trigger for RED Cameras has been updated to work with USB Capture Cards that have a slight color shift such as the J5 Create JVA02.

• Rebuilt ‘Settings’ from the ground up to prevent random UI Freezes that could occur on older iPads. Default Settings have been reset, please check your Settings to ensure the desired Video Codec and Record Trigger are selected. • When editing a Video Effect, you can now enter a custom value via a keypad rather than using the slider. This allows for more precise input if you want to scale the image at exactly 92.125% or if you want to apply a specific opacity of 56.75% to a Mask or Grid. • Custom Aspect Ratios are now supported. When editing a Mask, Tap and Hold on ‘Aspect Ratio’ and select ‘Custom Aspect Ratio’ to assign any Aspect Ratio that isn’t available by default. • Audio Input now allows for selection of specific audio sources rather than using the default iPadOS audio source. This allows you to record from the iPad Microphone while using a USB Capture Card as the video source, etc. • Audio Output has been updated so that audio will play from a 3.5mm Audio Jack on a USB Hub more consistently. • The current audio output destination is now displayed underneath the AirPlay Icon in the Audio Toolbar. • Other audio optimisations to ensure a smooth transition when connecting external devices such as a USB Capture Card, a HDMI Video Output or External Headphones. • Updated the verified status for the AVMatrix UC2018 SDI Capture Card. This capture card is locked to 60 FPS and does not allow for other frame rates.

• Introducing In and Out Points! Easily set multiple in and points for a video during recording or playback. Playback will loop the current clip based on its in/out points. For takes with multiple actions you can set multiple in/out points and playback can loop through all of them or just one of them. • Introducing Clip Ratings! Assign a rating to a recorded video to keep track of preferred takes. Ratings can be set while recording, during playback or from the Playback List. • Timeline has been updated to support in and out points. The ‘frame previous’ and ‘frame next’ buttons will now skip back and forward between different in/out points during playback. The duration of an in/out point will be shown below the current timecode to help when trimming shots to the desired length. • Redesigned Audio Meters! Audio input power level now displays as a gradient from green to red instead of a single color. Corresponding dB values are now overlayed over the audio meters for better readability. • Free Disk Storage will now be translated to Estimated Recording Time to give you a better idea of how many hours/minutes you have left to record on your iPad. Estimates are based on current codec, resolution and frame rate. Estimates will get more accurate over time as you record more videos with Video Assist. • Playback List now supports multi item selection for videos and frame grabs. This allows you to easily share or delete multiple videos or frame grabs based on your own custom selection. • Improvements to UI Layout when using smaller screen sizes, particularly useful when using Split View, Slide Over or Stage Manager. • The user interface will now default to Dark Mode. This can be changed between System Appearance, Light Mode and Dark Mode via Settings. • Minor Bug Fixes and Performance Improvements.

• Introducing Projects! Use projects for better organisation from job to job. Videos and Frame Grabs are recorded internally to the corresponding project directory. Easily create, rename or delete projects. • The Playback List will now remember your scroll position when browsing videos so you can pick up where you left off. • A ‘Play’ Icon now indicates the most recently watched clip in the Playback List. • Videos and Frame Grabs in the Playback List can now be scrolled independently from one another. • When deleting a Video or Frame Grab you will now be asked ‘Are You Sure?’ to prevent accidental deletions. • Minor Bug Fixes and Performance Improvements