Version 2.2 is a big usability release — built for mixing on phones and tablets, with faster navigation, a clearer connect screen, and a cleaner bus view everywhere. VERTICAL MIXING ON MOBILE The bus screen now defaults to a vertical layout on phones and small tablets: • Level fader and essentials stay in a side strip; processing tabs sit beside them instead of below • From and To lists use vertical fader columns — closer to a real strip layout when you hold the device in portrait • Sends follow the same vertical pattern when routing from a channel bus • Column spacing adapts to screen width so strips stay readable without wasting space You can still use the classic horizontal layout where it fits; the app picks sensible defaults per device. The first time you connect after install, MMC can ask which bus layout you prefer so the default matches your device before you open a mix. While adjusting a source in From, tap processing controls to open gate, EQ, and compressor preview dialogs without leaving the strip. A gate mini chart gives quick visual feedback next to the fader. FASTER NAVIGATION • Active scene in the header — see the currently loaded desk scene while connected and save faster, without digging through menus mid-show • Device scenes (mixer slots) and app scenes (vault) are easier to tell apart in scene lists • Input list shows which buses each channel is assigned to • Tap a bus by name in lists when the desk has custom labels • Bus output lists match the layout of the main outputs list • Clear empty states when nothing is sending or receiving — no more blank screens On iPad with a keyboard, a full hotkey system lets you jump Home, cycle bus tabs, roam faders and pan controls, and navigate reception from the keyboard. Open Settings → Hotkeys to remap keys to your workflow. CONNECT AND FIRST RUN Connecting to your desk got a full pass: • UDP errors are easier to read — what failed and what to try next • Pick language before you connect (English, Spanish, or German) • Theme toggle and logo on the welcome screen • Device status visible where it helps during troubleshooting BUS VIEW AND ENTITIES • Polarity, stereo link, and level stay in a compact general area visible on every tab • On very small landscape screens, bus tabs collapse into a header dropdown so nothing overflows • Bus tabs in the header — less scrolling to switch processing • Input, output, FX, DCA, mute group, scene, and vault views share the same layout patterns — consistent headers, general strips, and filter bars • Appearance (theme, UI scale, accent) opens as a dialog — change look-and-feel without leaving your place • Setup wizard and bus navigation are configurable; the bus edit control moved to a more predictable spot • Wizard steps use a calmer visual style; demo mode improved for trying MMC without hardware • Compressor presets no longer force a gain value you did not ask for • Bus FX reset returns gain to 0 with the effect active, matching desk expectations • Stereo-linked names read more clearly in lists and routing buttons MOBILE AND LAYOUT FIXES • Conditional scrolling on bus view — scroll when content needs it, not when it fits • Resize and rotate behave better when you turn the device mid-show • Safe area and header dropdown sizing improvements on mobile Under the hood: more efficient OSC caching on busy networks and continued connectivity improvements. Thank you for using Magical Mixing Console — we hope 2.2 makes live mixing on your phone or tablet feel even more natural.

• More reliable desk connectivity and smoother syncing on busy networks • Scene load/save: one progress dialog with time estimate; scenes apply after the desk catches up • Sends: clearer stereo labels (e.g. Aux 1 & 2); better stereo link on secondary buses • Bus view: polarity and stereo link in the general bar; tab history; reception shortcuts on tablets • Lists, forms, and mobile layouts polished; Android safe areas; inline validation

Version 2.0 is our biggest update since launch. If you tried Magical Mixing Console before and moved on, this is the release worth opening again — almost every screen has been rebuilt for iPhone and iPad. SETUP WIZARD Tap the green wand in the header to configure channels step by step. Pick vocals, kick, snare, bass, keys, stage monitors, and more — then choose the bus, name it with icon and color, apply sensible EQ/compressor/gate presets, and set up sends or monitor sources. FRESH START Starting a new gig on a desk that still has last week’s routing? Fresh Start (header menu) resets buses, levels, processing, and routing to a clean slate — while keeping your saved scenes, device name, network settings, and app presets. REDESIGNED BUS VIEW The bus screen is now organized with tabs instead of one long scroll: • Input — source, gain, polarity, stereo link • Reception — who feeds this bus, with live meters and quick mute/solo • Sends — where this bus goes next, with clearer routing indicators • EQ, Gate, Compressor, FX — each with a layout pass for narrow screens Level, pan, name, color, and icon stay visible above the tabs. A grouped bus switcher lets you jump between channels, auxes, mains, and FX returns without losing your place. COMPACT LISTS EVERYWHERE Buses, inputs, outputs, FX, DCAs, mute groups, automix, and scenes share the same compact list layout — important controls at a glance, tap a row to go deeper. Header and footer menus were tightened so more of the screen is yours. UI SCALE Settings → Appearance → Size adjusts text, faders, knobs, and buttons together. Leave it compact on iPad, or turn it up for bigger touch targets under dim stage lighting. Faders stay as large as the layout allows on narrow screens. BUILT-IN HELP Open Help from the header menu for a plain-language guide to buses, inputs, outputs, Reception vs Sends, FX, DCAs, mute groups, and automix — without leaving your mix. PRESETS & TEMPLATES • EQ presets including dedicated Kick and Bass curves • Compressor and gate presets with one-tap reset • Wizard templates with instrument-specific EQ + dynamics combinations IMPROVED CONNECTIVITY More reliable desk connection when networks get busy or conditions are less than ideal — spend less time fighting the connection and more time mixing. Also: light and dark appearance, updated foundations for current iOS and iPadOS, and the same full remote control you expect — levels, EQ, dynamics, routing, FX, scenes, DCAs, and mute groups for Behringer X Air and Midas M Air mixers. Thank you for mixing with MMC. Tell us what you think at magicalmixingconsole.com

Support for XAir hardware v2 added.