Now with Random Plate — an organic, evolving plate reverb algorithm with randomized reflections. Five studio-quality algorithms from tight plates to infinite halls.
**Description:**
Eos 2 is Audio Damage's studio-quality algorithmic reverb, now with five custom reverb algorithms designed in collaboration with Sean Costello of Valhalla DSP. Available as an AUv3 App Extension for hosts like AUM, AudioBus, GarageBand, Cubasis, and Auria Pro, and as a standalone application.
Five algorithms give you a broad palette of reverb for any production context. Three plate algorithms cover everything from tight, dark vintage plates to wide stereo ambience. The new Random Plate algorithm produces organic, evolving reflections that never quite repeat, and is beautiful on pads, keys, and vocals. SuperHall delivers the incredibly long, densely modulated hall sounds that Eos has always been known for: Eno-style ambience that simply isn't possible with convolution reverbs.
The streamlined interface makes it easy to dial in exactly the sound you need, from a short, dense room on your drum bus to an infinite wash of sound on a synthesizer pad.
**Features**
- Five reverb algorithms: Mono Plate, Stereo Plate 1, Stereo Plate 2, Random Plate, and SuperHall
- Full control over pre-delay, room size, decay time, attack, and diffusion
- Rate and depth modulation for lively, animated reverb tails
- Three-band EQ with adjustable crossover points to sculpt the tonal character of the reverb
- Infinite mode for drones and sustained textures
- Mix lock preserves your wet/dry balance when browsing presets
- Resizable interface with real-time waveform display
- Factory presets included, with full cross-platform user preset management
- AUv3 App Extension and standalone application
- Note: Eos 2 is a dense, heavily modulated algorithmic reverb. For best results on older devices, use a single instance as a send effect.
Excellent Sounding Reverb - UI has room to improve
buchla200
EOS2 sounds great! It is a very high quality reverb. My major criticism is that the user interface in both portrait and widescreen orientation only utilizes 1/3 of the screen. The controls are very small. This seems like an easily fixable issue. I expect that Audio Damage will address this shortly and create a UI that utilizes more of the available screen real estate so that changing parameters is easier.I still recommend it highly. As it sounds very good and have faith that Audio Damage will continue to develop this to the point that it is more usable.
Stopped working on iPad with last update
AlternateTimeline
This is a truly beautiful reverb and used on most my projects! A couple hundred just on my iPad for both production and live use. Thank you for fixing the issues so it could work on our earlier devices again. In my case the projects couldn’t even be opened. Balance has been restored 🙏🏼
Beautiful lush reverb
;$&-%#!
Great for quickly dialing in bottomless, lush reverb sounds, and a great deal.
stopped working on my old ipad
trancemuter
all the sudden is not working, it is saying that the helper app can’t be found... idk why? can it be fixed? tried to uninstall and reinstall, didn’t help
This update from Apple will improve the functionality of this app. No new features are included.
>> Added Random Plate algorithm — a new plate reverb voicing with randomized delay networks for organic, evolving reflections.
>> Updated preset manager; front panel inc/dec buttons and favorite button added.
>> Many small updates and fixes.
Version 2.5.0
The developer, Audio Damage, Inc., indicated that the app’s privacy practices may include handling of data as described below. For more information, see the developer’s privacy policy .
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The developer does not collect any data from this app.
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